Contains numbered thumbnail and larger line drawings, prints, and photographs of Playhouse affiliates including Gilmor Brown, Lenore Shanewise, students, and others, as well as characters and historical figures including Shakespeare. Also contains imagery including the Pasadena Community Playhouse Association logo, palm trees, and more.
Folders 1-5 contain negatives of photographs depicting Gilmor Brown and Charlie Prickett; Lenore Shanewise; various people in groups, from Fairfax Walkup files; and portraits of unidentified people. Folders 6-9 depict special events and festivities including a Pasadena Playhouse brunch; a buffet dinner on the set of What Every Woman Knows (1931); and unidentified special events, including possibly a Midsummer Drama Festival breakfast (undated).
Materials relating to Lenore Shanewise include awards and honors; clippings and correspondence; performance and portrait photographs; programs from various productions; eulogies for Eugenia Ong (1955) and Gilmor Brown (1960); and some material from her service as a member of the Board of Trustees, including Task Force Committee reports (circa March 1966) and Board meeting minutes (1967). Materials relating to Fairfax Walkup include personal correspondence (1951-1971); her reflections on Gilmor Brown (circa 1960); resumes; and honors and tributes.
Four audiotapes with interviews with key figures in the history of the Pasadena Playhouse, including Lenore Shanewise; Maurice Wells; Charles, Maudie, and Oliver Prickett; Charles Lane; Ralph Freud; Albert McCleery; and others. The interviews were conducted by Gail Shoup as part of his dissertation research. Approximately 20 hours. Contents same as audiocassettes 1-10 in Box 314.
Contains awards and honors, 1951-1959; floor plans, undated and by unidentified architect; a broadside of Shakespeare and Shakespeare-related images, inscribed to Gilmor Brown by Mrs. H.D. Bentley, 1936, in appreciation of the Midsummer Drama Festival; one painting of Gilmor Brown in a kilt, undated, and one cartoon by Ernest Hix and Doug Hayes, 1948, celebrating Gilmor Brown. Also includes a 17th-century theater prop given to Gilmor Brown by Gareth Hughes: Indenture, used as Shylock's bond, 1687, accompanied by a label stating that this was stage property used in many productions of "The Merchant of Venice." Additionally, contains two copies of a banner advertising Pasadena Playhouse and its College of Theatre Arts, 1959; and portraits, including a photograph of Gilmor Brown's father, a photograph of Percy MacKaye inscribed to Brown, a photo depicting Bob Hope and Bing Crosby with a Pasadena Playhouse student, and photos of Elton Howard's portraits of Brown, Shanewise, Freud, and Wells, approximately 1925.
