Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Manuscripts
Subseries A (Community Playhouse and Mainstage productions), Subseries B (Playbox productions) and Subseries C (Mainstage, Playbox, and Gilmor Brown) are from a collection previously known as photCL 327 or Album 327, compiled from the scrapbook series set described in Series II.
mssPlayhouse
Image not available
Manuscripts
Includes designs by Alson Clark, Robert Redington Sharpe, Corliss McGee, and Wilmer[?].
mssPlayhouse
Image not available
Manuscripts
Contains loose undated performance photographs by Jerome Robinson for productions including: Broken dishes (three photos); Take it from the Angels and River Boy (two photos each); and A Yankee Fable, Oh! Susanna, Dr. Knock, A Servant in the House, Twin Beds, The Unmarried Hat, What Happened to Jones?, I Have Been Here Before, and The Patsy (one photo each). Also contains photographs by Jerry Eaton (Arms and the Man, one photo, plus unidentified photos) and two photos by Peter Pipe, one unidentified and one, from Autumn Crocus, inscribed to Gilmor Brown, "with best wishes for the Playbox," signed by Piper (1938). Also contains one drawing of an unidentified actor; portraits of groups and students; two undated photographs of a Mainstage play, Remains to Be Seen (undated); one undated photograph of an event, possibly a Festival breakfast; and 12 undated photos from unidentified performances, taken by unidentified photographer(s).
mssPlayhouse
Image not available
Manuscripts
Contains oversize programs for Pasadena Community Playhouse, 1927-1937. Also includes programs for the Playbox, 1931-1962, and the Mainstage, approximately 1937-1941 and 1960-1961.
mssPlayhouse
Image not available
Manuscripts
Includes a sketch of Guy Bates Post, from The Play's the Thing, by John W. Haynes; drawings and sketches of the Mad Hatter and unidentified characters; two sketches of Shylock by [Donald?] Finlayson, one for a production of The Lady of Belmont and one for The Merchant of Venice; annotated magazine pages featuring costume and set designs, 1929 and undated; a blueprint of a stage design for Dancing Days by Corliss McGee, 1930; and drawings and photographs depicting stage settings and designs for plays including Skidding, On the Spot, The Armored Train, The Watched Pot, and Marco Millions. Also includes photographs dated circa 1920-1969 depicting costume and wardrobe fabrication, and photographs dated circa 1922-1937 depicting stage sets and design for productions including The Sunken Bell, Hassan, The Pirates of Penzance, King Lear, The Makropoulos Secret, and an unidentified Shakespeare set, as well as for unidentified productions, circa 1937-1960. Also contains one photograph depicting stagehands surrounding a Pasadena Community Playhouse truck, circa 1918-1925.
mssPlayhouse
Image not available
Manuscripts
Contains photographs taken by Graydon Spalding, plus contact sheets; also includes Playbox cast lists from 1953-1959 and various theater memorabilia.
mssPlayhouse