Tsubas, undated | Collections | The Huntington

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Manuscripts

Tsubas, undated

Description: The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.

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Containers, undated
Manuscripts
The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.
mssMarsh
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Negatives, undated
Manuscripts
The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.
mssMarsh
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1879-1949, undated
Manuscripts
The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.
mssMarsh
Image not available
Miscellaneous objects, undated
Manuscripts
The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.
mssMarsh
Image not available
Furniture, 1937-1969, undated
Manuscripts
The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.
mssMarsh
Image not available
Negatives, 1904-1941, undated
Manuscripts
The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.
mssMarsh