Manuscripts
Judas Macchabaeus. Oratorio, 3 acts. Thomas Morell
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Jeptha. Oratorio, 3 pts. Thomas Morell
Manuscripts
No application. Prod. C.G., Feb. 26, 1752. MS: title-page endorsed, by J.P.C.(?): Handells piece. It is said that Handel became blind during the composition of this Oratorio but see his autograph Feb. 15th. 1752 at the end; signed, George Frideric Handel London Covent Garden February 10th 1752. Comp. [1751?] (K-D 379): virtually the same.
LA 95
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Solomon. Oratorio, 3 acts. Thomas Morell
Manuscripts
No application. Prod. C.G., Mar. 17, 1749. MS: endorsed X. Comp. n.d. (K-D 413): great differences.
LA 78
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Joshua. Oratorio, 3 pts. Thomas Morell
Manuscripts
No application. Prod. C.G., Mar. 9, 1748. MS. Comp. 1748 (K-D 434): slight differences. (Dated erroneously in B.C., 1602.)
LA 69
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Alexander [Balus]. Oratorio, 3 pts. Thomas Morell
Manuscripts
No application. Prod. C.G., Mar. 23, 1748. MS: several deletions and corrections; a few lines added, in Handel's hand(?). Comp. 1748 (147140): a few minor differences.
LA 70
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The Story of Semele. Oratorio, 3 pts. From William Congreve
Manuscripts
No application. Prod. C.G., Feb. 10, 1744. MS: some corrections in hand of Handel. Comp. 1744 (K-D 413): slight differences.
LA 43
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A Tale of Terror. Dramatic romance, 3 acts. Henry Siddons
Manuscripts
No application. Prod. C.G., May 12, 1803. MS: dated, by Larpent, C.G., Apr. 27; prologue. Comp. 1803 (K-D 410): a few differences.
LA 1384