Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
No application. Prod. C.G., Feb. 26, 1791. MS: dated by Larpent Feb. 25. Comp. 2d ed., 1791 (K-D 106): a few differences; MS contains a few passages not printed.
LA 892
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Manuscripts
No application. Prod. C.G., Feb. 14, 1795. MS: dated, C.G., Feb. 7; title-page endorsed Mr. Hurlston; numerous deletions; prologue; cast. Comp. n.d. (K-D 260): a few differences.
LA 1055
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Manuscripts
No application. Prod. (as England Preserved) C.G., Feb. 26, 1795. MS: dated, by Larpent, C.G., Feb. 15; prologue; cast. Comp. England Preserved, 1795 (Dev 8vo 65): slight differences in Acts I-III; more numerous differences in Acts IV and V.
LA 1057
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Manuscripts
No application. Prod. C.G., Feb. 9, 1802. MS: dated, by Larpent, C.G., Jan. 18; cast. Comp. 1805 (K-D 402): marked differences.
LA 1340
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Manuscripts
No application. Prod. C.G., Mar. 31, 1749. MS: some erased passages, and one song marked out. Comp. Songs in Henry and Emma, 1749 (K-D 50): numerous differences.
LA 79
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Manuscripts
No application. Prod. C.G., Feb. 26, 1752. MS: title-page endorsed, by J.P.C.(?): Handells piece. It is said that Handel became blind during the composition of this Oratorio but see his autograph Feb. 15th. 1752 at the end; signed, George Frideric Handel London Covent Garden February 10th 1752. Comp. [1751?] (K-D 379): virtually the same.
LA 95