Manuscripts
Jack Kerouac letters and postcards
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London, Jack, 1876-1916. Postcard to Paul Eldridge
Manuscripts
This collection consists of 45 letters, primarily from Jack London and his wife, Charmian London, and 15 pieces of ephemera. There are five letters from Jack London to a literary agent named, Daniel Murphy. These letters were written in 1902. There are six letters to James M. Chandler written in 1905 and 1906. Chandler was to act as quarter-master and steward during a proposed round-the-world cruise that was scheduled to last seven years with Jack London, Charmian London, an uncle, and a Japanese servant. There is also a related newspaper clipping entitled: Jamaica Plain Man To Go On 7-Year Tour With Jack London at the end of the collection. There are 16 letters to Benjamin De Cassares, an American journalist, critic, essayist, and poet. In one letter dated November 3, 1912, Charmian tells of her "great disappointment-our second disappointment, and mainly due to a poor physician in the first place" [her miscarriage]. She discusses Nietzsche's Zarathustra and what it has done for her "...at a time of mental and physical collapse. Quite pulled me together-quite played the Bible, in fact." There are three letters to Paul Eldridge, who seems to be a young fan of Jack London's. In answer to Eldridge's letters, Charmian has given a wide range of comment pertaining to Jack's health and some of his writings. There is one letter to Perriton Maxwell, where Jack states "I believe intensely in the pro-ally side of the war...As regards a few million terrible deaths, there is not so much of the terrible about such a quantity of deaths as there is about the quantity of deaths that occur in peace times in all countries in the world, and that has occurred in war times down the past" (August 28, 1916). There are 9 letters to Hunter Kimbrough, Uptrain Sinclair's brother-in-law. Charmian's writing is somewhat flirtatious, as evident in a letter dated March 15, 1928 "Theredearest Hunter!" By the time this is in your hands, I'll be in my own queer little house. I hope to embrace you there this summer, some time. DO come. I send you a kiss---falling downstairs meanwhile if you prefer!" There are also letters to a "Mr. Hage", Vida Goldstein, S.T. Hughes, Bunster Creely and one telegram from Anna Walling Strunsky to Jack London.
HM 82677
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[Blank Jack Heaney and Associates postcard]
Visual Materials
This collection contains the papers of naval architect, artist, and interior designer Jack Heaney primarily related to projects Heaney worked on in the mid 20th century at the New York City marine design and naval architectural firm of George G. Sharp Inc., and later at Jack Heaney and Associates. The bulk of the collection dates from the late 1930s to the 1960s and includes both professional and project records primarily reflecting Heaney's design work for cargo-passenger vessels, and some personal documents. The professional and project records in the collection includes design renderings and drawings of ship exteriors, interiors, furniture, and fixtures; photographs primarily of ship interiors; miscellaneous ephemera, often with graphic components by Heaney; publications and clippings profiling Heaney's work; and some miscellaneous correspondence. The largest section relates to the first nuclear cargo ship, the NS Savannah. Other ships and ship lines represented include the Robin Line, Delta Line, American President Lines, Great Lakes Ore Carriers, SS Aquarama, Gulf and South American Steamship, and the Farrell Lines. While most of the collection concerns Heaney's work, the Staten Island Ferries series also includes correspondence related to JoAnne Heaney's interior design work on the project in the late 1970s. The materials also include twelve of the first issues of Harmony in G. Sharp, the George G. Sharp firm's in-house magazine dating from the mid 1940s. The personal papers include three shipbuilding books and a notebook used by Heaney as a student; six pieces of student artwork dating from 1924 to 1926; and some additional postcards and pieces of ephemera.
archHeaney
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Frank P. Sauerwein postcards
Manuscripts
The correspondence is made up of twenty-seven postcards written by Sauerwein while traveling through Arizona, New Mexico and Italy in 1904 and 1905. The postcards, addressed to Thomasella H. Graham, give descriptions of Tempe, Arizona, and Venice and Florence, Italy. Sauerwein illustrated the postcards with sketches and watercolors of scenery and buildings he encountered during his trip, including a sketch of the Taos Pueblo. Sauerwein was recuperating from an illness while on these trips so the postcards often discuss his health. Also included are two letters written by Elaine M. Harrison to Gertrude Bailey regarding Sauerwein's artwork, one photograph of Thomasella H. Graham and two photographs of Frank P. Sauerwein
mssHM 60706-60738
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Jack London letter to editor of "Youth's Companion,"
Manuscripts
In this letter, London writes to the magazine's copy editor defending vital aspects of his story. London ends the letter by asking about his payment, which he had not yet received.
mssHM 80610
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Jack London letters to Charles Warren Stoddard
Manuscripts
Jack London wrote these 14 letters to his good friend and fellow writer Charles Warren Stoddard from 1900 to 1906 (six are typed and eight are handwritten). London talks a lot about his writing projects and sends copies of his books to Stoddard (specifically The call of the wild, Sea wolf, and White fang) and often asks for his opinion. London also discusses the birth of his daughter Joan, his failing marriage, religion, traveling, and his ill health. The photograph of London is hand inscribed "To C. W. S. Affectionately yours, Jack London." There is also a copy of signed photograph of Jack London.
mssHM 80735-80748
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[Postcard from Gracie Heaney Logan to Jack Heaney]
Visual Materials
This collection contains the papers of naval architect, artist, and interior designer Jack Heaney primarily related to projects Heaney worked on in the mid 20th century at the New York City marine design and naval architectural firm of George G. Sharp Inc., and later at Jack Heaney and Associates. The bulk of the collection dates from the late 1930s to the 1960s and includes both professional and project records primarily reflecting Heaney's design work for cargo-passenger vessels, and some personal documents. The professional and project records in the collection includes design renderings and drawings of ship exteriors, interiors, furniture, and fixtures; photographs primarily of ship interiors; miscellaneous ephemera, often with graphic components by Heaney; publications and clippings profiling Heaney's work; and some miscellaneous correspondence. The largest section relates to the first nuclear cargo ship, the NS Savannah. Other ships and ship lines represented include the Robin Line, Delta Line, American President Lines, Great Lakes Ore Carriers, SS Aquarama, Gulf and South American Steamship, and the Farrell Lines. While most of the collection concerns Heaney's work, the Staten Island Ferries series also includes correspondence related to JoAnne Heaney's interior design work on the project in the late 1970s. The materials also include twelve of the first issues of Harmony in G. Sharp, the George G. Sharp firm's in-house magazine dating from the mid 1940s. The personal papers include three shipbuilding books and a notebook used by Heaney as a student; six pieces of student artwork dating from 1924 to 1926; and some additional postcards and pieces of ephemera.
archHeaney