Manuscripts
Laura Aguilar : life, the body, her perspective
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Laura Aguilar collection
Visual Materials
A collection of 49 gelatin silver photographs (sizes vary; 5 x 7 to 16 x 20 inches) and several exhibition invitations, gallery advertisements, and other printed ephemera related to Aguilar's work. The collection includes 21 photographs from the Day of the Dead series, documenting participants in Day of the Dead celebrations in East Los Angeles. Most were taken at the Los Angeles Photography Center's annual Día de los Muertos event in 1989, where Aguilar constructed a large coffin as a background prop for attendees, many of whom were part of the Chicana/Chicano/Chicanx art community, including Harry Gamboa, Jr., Ricardo Valverde, and Barbara Carrasco. Also included are six photographs from the Plush Pony series, named for a Chicana lesbian bar in the El Sereno neighborhood of Los Angeles. These portraits feature working-class lesbians posing in front of a cloth backdrop that Aguilar set up in the bar. There are also two photographs from Aguilar's Latina Lesbians series, which combine portraits of women with their own handwritten text below the image.An additional 20 photographs are portraits taken between 1983 and 1996 of Latinx and Chicanx artists, writers, and others in Aguilar's circle, including Paul Arevalo, Monica Almeida, and Roberto Gil de Montes. Throughout the collection, many photographic subjects are identified by first name only or first and last names. Additional information about some subjects is on file in the Huntington Library; see Reader Services for more information.
photCL 658
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Bill of sale for enslaved woman Laura and her child
Manuscripts
Bill of sale from Barbour County, Alabama, for enslaved woman Laura, about 18 years old, and her unnamed child, about 18 months old, purchased by Zachariah Roquemore (1809-1868) from J.C. Morgan, William D. Cureton, and J.C. Wellborn.
mssHM 84004
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Laura Oakes letters
Manuscripts
The letters are written to Laura Oakes, of Denver, Colorado, from three of her cousins (a girl called "Chuckie," Grace, and one whose name is unknown) and her boyfriend Willie Bennet. The letters are from Colorado Springs, Denver, and Mann Creek Ranch near Leadville. The letters discuss ranch life in Colorado, the cattle trade, and horse riding and wrangling. The letters also include gossip and details about the cousins' social lives.
mssHM 68274-68277
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John Charles Frémont letter to Felipe Lugo, Macedonia Aguilar, and Thomas Sanchez
Manuscripts
This letter was written by John Charles Frémont, from Ciudad de Los Angeles as Governor and Commander in Chief of California. it is addressed to "Don Felipe Lugo, Don Macedonia Aguilar, Don Thomas Sanchez." The letter reads as follows: "Gentlemen, You are hereby appointed by me as Governor of California a board of survey to ascertain the number of cattle killed and to whom they belonged, by the U.S. Forces under the command of Commodore Stockton & Genl. Kearny and report the same with all needful particulars to me at your earliest convenience. Your acceptance of this commission will be considered a matter of course unless you instruct me to the contrary. Very Respectfully, J. C. Frémont, Governor & Commander in Chief of California." It was attested by the Secretary of State, William H. Russell.
mssHM 81090
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Laura A. Cathell letter to A.D. Dyess
Manuscripts
Correspondence of Martha D. Stone and her extended family. Martha D. Stone's correspondence contains letters and documents on family history, including those from 1908 to 1909. Besides the family members, the correspondents include Greenlee D. Letcher, Lawrence Washington (1836-1926) and Frank P. Flint. Also included are four letters, 1916 to 1918, from Jordan M. Stone describing his life in Banning and Pasadena, California, and photographs of Jordan M. and William Welch Stone at Hollister Ranch, California. Jonathan C. Gibson's correspondence includes two letters to his wife written while away from home; the letter of October 18, 1817, contains a vivid description of the flood of emigrants headed to "Mizura;" the letters to his daughter written between 1840 and 1846 discuss family and local news of Culpeper County and details of some cases that he argued. Also included is a letter, 1821, January, from his kinsman and a member of the Virginia House of Delegates, Fayette Ball (1791-1836), describing bills under consideration. Letters that Frances Ann Gibson Welch Burt and J. Mallory Welch exchanged in the summer of 1844, during her visit to Virginia. In the letter of August 10, 1844, written on pro-Clay pictorial stationery, she described a "Whig festival" in Dandridge, attended by some "thousand persons;" and on August 26, 1844, she gives an account of a Methodist camp meeting in "Prince William Springs." Also included are letters from her friends and relatives. The letter, January 1, 1847, of her friend Mary V. Moore describes her stay at the Olympian Springs, Kentucky, her wedding to a young man she met there, and the busy social life of a newlywed in Mount Sterling, Kentucky. There are also the journal and letters of Mary Emma (Mamie) Cathell Grace (1861-1937), a native of Philadelphia who attended New Orleans High School. The first portion of the diary covers the school year of 1878, the entries describe school studies, including lessons taught by Susan Blanchard Elder (1835-1923) and Mary Humphrey Stamps (1835-); the Mardi Gras festivities, particularly the parade staged by the Knights of Momus, the outbreak of yellow fever, etc. The second portion of the diary gives an account of her trip to Philadelphia to meet her father and siblings. In 1885, Mamie married Dr. Jesse Edward Grace (1852-1895) and moved to Weimar, Texas. The collection also includes photographs, newspaper clippings from The Asheville Citizen, and ephemera.
mssHM 74657
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Cuppy, Laura. Letter
Manuscripts
This collection consists of an autograph album containing handwritten notes, letters, poems, and drawings by approximately 200 friends and acquaintances of American author Charles Warren Stoddard, including leading American literary figures, journalists, poets, critics, politicians, and actors of the late 19th century. Among the many notable contributors are Samuel Clemens, Bret Harte, and Joaquin Miller. The earliest item in the book is an 1863 dedication by Thomas Starr King, and continues with contributions primarily from members of San Francisco literary society beginning in the mid-to-late 1860s through the late 1890s, as well as from friends in other locales where Stoddard lived or traveled including Louisville, Kentucky; Washington, D.C.; Massachusetts; New York; and Hawaii. A letter from L.C. Bayles (page 23) introduces lines of verse with the note "in accordance with your request," reflecting Stoddard's curation of the album as a compendium of verse and personal sentiments tailored towards friendships and literary musings. The volume includes two photographs of groups of men and women, captioned, "Riverdale, N.Y., July 4th 1890" (page 116). There are manuscript poems and lines of verse, often penned specifically for Stoddard, from literary friends including Isaac Hull Adams; Daniel Dulany Addison; Benjamin Parke Avery; William Barry; Fred Buel; James F. Bowman; George Burrows; Carrie Carlton; Bliss Carman; Pierre Cauwet; Robert W. Chambers; Sarah M. Clarke; Ada Clare; Katherine E. Conway; Ina D. Coolbrith; R.M. Daggett; Madeleine Vinton Dahlgren; Malcolm Douglas; Theodore F. Dwight; Eugene Field; Hamlin Garland; Grace Greenwood; Bret Harte; Jerome Hart; John Hay; Charles Hinton; Oliver Wendell Holmes Sr.; William Dean Howells; Daniel E. Hudson; Thomas A. Janvier; Tremenheere Johns; Ralph Keeler; George Kennan; Orpheus C. Kerr; Alice Kingsbury (Cooley); Rudyard Kipling; Emilie Lawson; James Linen; Fitz Hugh Ludlow; Adah Isaacs Menken; John Malone; Joaquin Miller; Morton Mitchell and Laddie Mitchell; James Whitcomb Riley; James Jeffrey Roche; Edgar Saltus; Richard Henry Savage; Emma D.E.N. Southworth; Frank Soulé; Bella Z. Spencer; Horatio Stebbins; Maria Longworth Storer (with sketches); J.D. Strong; M.D. Strong; H.A. Stuart; T.R. Sullivan; Bayard Taylor; Charles Wadsworth; Charles Henry Webb; May Wentworth; George Edward Woodberry; and R.C. Wyllie. Prose and letters from L.C. Bayles; Frederick Billings; Ezra S. Carr and his wife, Jeanne C. Smith Carr; Samuel Clemens; Laura Cuppy; G.B. Densmore; Annie Fields; Archibald C. Gunter; Francis King Harte; Louise E. Holden; Jules Luquiens; C.T.H. Palmer; Theodore Roosevelt; Anna Josephin Savage; Rodney L. Tabor; Charles A. Wetmore; Virgil M. Williams; and Thérèse Yelverton. Drawings include ones by Reginald B. Birch; John S. Bugbee; Arthur Lemon; G. Thomas; and Theodore Wores. There are also brief notes and/or signatures of individuals including Charles Francis Adams; Henry Adams; Frances Hodgson Burnett; Ada, Dyas; Louise Imogen Guiney; Iza Duffus Hardy; Clarence King; Francis D. Millet; Thomas Nelson Page; Theodore Roosevelt; Charles Dudley Warner; and Lydia Woodworth. The contents are handwritten on blank pages in an "Album" published by Leavitt & Allen, consisting of 241 pages including an engraved title page and frontispiece and [8] other engraved plates with illustrations by Creswick, W.H. Bartlett, W. Tombleson; J. Smillie and T. Addison Richards; engravings by J. Sartain; J. Bannister; Rawdon, Wright, Hatch & Smillie; J. White; and C.T. Giles. Edges gilt.
mssHM 35075