Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
General Description of the California Central Railway : owned and operated by said company on the first Monday in March 1888
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Manuscripts
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Contains pay and regulations schedule for trainmen, cost estimates for various lines, reports, time-tables, valuation map, and material about the San Gabriel Valley Rapid Transit Railroad, San Pedro line, and the Whittier Division.
mssHEH
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Visual Materials
No old shelf mark. Close up map of Pasadena does not show Rose Bowl started in 1922, indicating these maps are earlier. "Published and copyrighted" statement from cover. Detailed city maps in surround. Verso has additional maps. Submaps: Pomona; Riverside; Santa Ana; El Centro; Redlands; San Bernardino; Imperial; Brawley; Pasadena. Prime meridian: GM. Relief: hachures. Projection: Cylindrical. Printing Process: Lithography. Verso Text: Submaps: Central California; San Diego; Imperial Valley to Yuma.
ephMPCALIFR0005
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Visual Materials
The collection consists of 70 panoramic negatives, 3207 copy prints, and corresponding negatives and interpositives, covering the years 1924-1948. The images depict specific places, businesses, and commercial activity in both central and southern California, with the emphasis on Los Angeles County. The collection provides a broad overview of the commercial landscape of the area during the first half of the twentieth century. In addition, there is also a tape measure produced by the studio in the 1950s. The 70 panoramic negatives depict undeveloped and newly developed areas of Los Angeles, including Pacific Palisades, Santa Monica, and Alhambra, views of Lido Isle in Newport, and Republic Studios in Studio City. There are also images of Los Angeles industries, including film and automotive, as well as specific locations, such as the Hollywood Bowl, and events, such as swimming events during the 1932 Olympics. The first part of the collection of copy prints depicts specific towns, businesses, street scenes and landscapes in central and southern California, specifically El Dorado, Inyo, and Nevada Counties, Lake Tahoe, Kern, Tulare, San Luis Obispo, Santa Barbara, Ventura, Orange, Riverside, San Bernardino, San Diego, and Imperial Counties, Mexico, and Los Angeles County. The bulk of these images depict Ventura, Orange, Riverside, San Bernardino, San Diego, and Los Angeles Counties. The Ventura County images concentrate on Port Hueneme. The Orange County images depict Fullerton, Santa Ana, Anaheim, Laguna Beach, Capistrano Beach, Balboa and Newport Beach, and Lido Isle. In Riverside County, the images depict Lake Elsinore, Perris, Corona, the Sherman Institute, Riverside, Norco, Palm Springs, San Jacinto, Hemet, and a number of hot springs. The San Bernardino images depict Twentynine Palms, Fontana, Chino, Ontario, San Bernardino, Big Bear and Lake Arrowhead. In San Diego County, images depict Mount Helix, La Mesa, El Cajon, Alpine, Pine Valley, Descanso, Lakeside, Ramona, Escondido, Vista, Rancho San Luis Rey, Bonsall, Tahiti Beach, Del Mar, Solana Beach, La Jolla, Casa de Manana, and the San Diego Fairgrounds (Balboa Park). Los Angeles County images form the bulk of the second section. Images of the San Gabriel Valley and nearby areas depict Flintridge, Altadena, Monrovia, Glendora, Azusa, East Los Angeles, Montebello, Whittier, the Pio Pico Adobe, Santa Fe Springs, Downey, Norwalk, Bellflower, El Monte, Baldwin Park, Covina, the Pomona Fairgrounds, San Marino, Pasadena, Sierra Madre, Alhambra, El Sereno, San Gabriel, Monterey Park, Arcadia, and Santa Anita. Images of Los Angeles beach communities include Long Beach, San Pedro and Fish Harbor, Palos Verdes and Rancho Palos Verdes, Redondo Beach, Hermosa Beach, Manhattan Beach, Playa del Rey, Venice, Santa Monica and coastal areas. The collection also depicts West Los Angeles, specifically Westwood and the University of California, Los Angeles, Bel Air, and Brentwood. Central, East and South Los Angeles are represented by images of Hollywood, Los Feliz, Culver City, Leimert Park, Baldwin Hills, Inglewood, View Park, Hawthorne, Westchester, and Gardena. The San Fernando Valley images depict Woodland Hills, Encino, Sherman Oaks, North Hollywood, and Studio City. Also present in the collection are images of specific locations within Los Angeles proper (such as the Los Angeles riverbed, the Farmer's Market and Gilmore Stadium, Olvera Street, Los Angeles theaters, hospitals and businesses, City Hall, the Los Angeles Public Library, the Los Angeles Times Building under construction, Memorial Coliseum and the Olympic pool, and the Pan-Pacific Auditorium). Of particular note are the series of photographs that depict new housing tracts (Midwick View Estates, Rolling Knolls, Rolling Hills Estates, Beverly Wood), Wilshire Boulevard from Westlake to Western Avenues, the business district around La Brea Avenue and Wilshire Boulevard, and the construction of the Federal Building and Post Office in central Los Angeles. The collection also contains images arranged by subject. These include photographs of advertising (signs, billboards and displays); radio and television communications; clubs; people (including Herbert Hoover, J.W. Robinson, Franklin Delano Roosevelt, Frank Shaw, Archibald Joseph Cronin, and Bing Crosby); transportation (including Los Angeles Railway cars and Union Station); industries (food processing, fruits, water, rubber, steel, quarries, entertainment, and miscellaneous); construction (dams and aqueducts, housing); recreation; circuses; police and fire; cemeteries, charities and relief; religion; photography and photographers; World War II effort; medical; ranches; automobiles; trucks; buses; motorcycles; automobile dealerships and used car lots; racing cars; races; National Auto School; and aviation. Of particular note are the series of photographs depicting tire production by Goodyear; the interior of the Bethlehem Steel Plant; the construction of the Metropolitan aqueduct and Parker Dam; the construction of Boulder (now Hoover) Dam; assembly lines in Ford, Plymouth, Studebaker, and Willys-Knight plants; photographs of Amelia Earhart, Howard Hughes, and other aviators; images of the Douglas Aircraft plant; Timm Aircraft plastic plane construction; and images of Vultee Aircraft plants.
photCL Whitt
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Visual Materials
The collection consists of approximately 6,700 photographs, which includes photographic prints and 4 x 5 inch and smaller glass negatives, glass positives, film negatives and lantern slides depicting Southern California (mainly Los Angeles and nearby communities). The collection provides quite a comprehensive picture of the growth and development of Los Angeles at the turn of the twentieth century. The smaller format items are mostly copy negatives (not originals) taken by Ellis of images in other collections. Ellis copied the photographic holdings of, among others, Bancroft, Behrendt, Tyler, Hill, Ingersoll, Forman, Rowan, Foxley, Guinn, Fryer, A.W. Francisco, McPherson, Charles Prudhomme and William Burton. The collection is particularly strong in images of Central Los Angeles from the 1880s to the 1910s and Los Angeles County beach communities in the 1900s and 1910s. Also of note are images of sites and themes of historic or cultural significance, and portraits. In addition to images of central Los Angeles, the collection includes images of Los Angeles County beach communities, Pasadena and the San Gabriel Valley, and Orange, Ventura, San Bernardino and San Diego Counties. The historic and cultural sites include photographs of missions and churches; commercial, municipal and residential buildings, including historic adobes; schools and parks; railroads, emigration, and stagecoach routes; Campo de Cahuenga; Busch Gardens in Pasadena; the Modjeska home in Santa Ana; the Lake Vineyard, Sunnyslope, and the Rowland properties in the San Gabriel Valley; and images of Native Americans and Native American culture. Portraits include those of California pioneers, prominent Angelinos and San Diegans, including J. Lancaster Brent, George Horatio Derby, Hillard Dorsey, the Ellis Family, Judge A.J. King and family, Vicente Lugo, Charles Prudhomme, Truman H. Rose, William Rubottom, Abel Stearns, 1st Worshipful Master of the California Masonic Lodge Levi Stowall, and the Workman family. Some of the 4 x 5 inch and smaller glass negatives and lantern slides depict historic sites of Northern California, including mining camps of the California Gold Rush. There are also miscellaneous images pertaining to themes with no direct relationship to California or the American West, such as Freemasonry and general United States history. The United States history images include copies of Abraham Lincoln portraits and the Lincoln home in Kentucky as well as early American figures including George Washington and Benjamin Franklin.
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Visual Materials
The collection consists of approximately 6,700 photographs, which includes photographic prints and 4 x 5 inch and smaller glass negatives, glass positives, film negatives and lantern slides depicting Southern California (mainly Los Angeles and nearby communities). The collection provides quite a comprehensive picture of the growth and development of Los Angeles at the turn of the twentieth century. The smaller format items are mostly copy negatives (not originals) taken by Ellis of images in other collections. Ellis copied the photographic holdings of, among others, Bancroft, Behrendt, Tyler, Hill, Ingersoll, Forman, Rowan, Foxley, Guinn, Fryer, A.W. Francisco, McPherson, Charles Prudhomme and William Burton. The collection is particularly strong in images of Central Los Angeles from the 1880s to the 1910s and Los Angeles County beach communities in the 1900s and 1910s. Also of note are images of sites and themes of historic or cultural significance, and portraits. In addition to images of central Los Angeles, the collection includes images of Los Angeles County beach communities, Pasadena and the San Gabriel Valley, and Orange, Ventura, San Bernardino and San Diego Counties. The historic and cultural sites include photographs of missions and churches; commercial, municipal and residential buildings, including historic adobes; schools and parks; railroads, emigration, and stagecoach routes; Campo de Cahuenga; Busch Gardens in Pasadena; the Modjeska home in Santa Ana; the Lake Vineyard, Sunnyslope, and the Rowland properties in the San Gabriel Valley; and images of Native Americans and Native American culture. Portraits include those of California pioneers, prominent Angelinos and San Diegans, including J. Lancaster Brent, George Horatio Derby, Hillard Dorsey, the Ellis Family, Judge A.J. King and family, Vicente Lugo, Charles Prudhomme, Truman H. Rose, William Rubottom, Abel Stearns, 1st Worshipful Master of the California Masonic Lodge Levi Stowall, and the Workman family. Some of the 4 x 5 inch and smaller glass negatives and lantern slides depict historic sites of Northern California, including mining camps of the California Gold Rush. There are also miscellaneous images pertaining to themes with no direct relationship to California or the American West, such as Freemasonry and general United States history. The United States history images include copies of Abraham Lincoln portraits and the Lincoln home in Kentucky as well as early American figures including George Washington and Benjamin Franklin.
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Visual Materials
The collection consists of photographs (the majority of which are housed in two photograph albums), negatives, published material, and ephemera that depict locations throughout California and the Western United States. Many of these were locations where Frank Rolfe, a geologist, worked on various surveys, including the Los Angeles aqueduct survey. The collection contains two photograph albums: one depicts the initial Los Angeles aqueduct survey, the second contains photographs of Los Angeles (central Los Angeles and neighborhoods where Rolfe and his wife lived), the San Gabriel Valley and other locations in Los Angeles County (Devil's Gate Dam, the San Gabriel Mountains, the St. Francis Dam and San Francisquito Canyon), San Bernardino County (the San Bernardino Mountains, Big Bear Lake), Riverside County (the Coachella Valley, Tahquitz Canyon, the Temescal Valley, Riverside, the San Jacinto Mountains), Kern County, and commercially produced images of Yosemite. Boxes 3 and 4 contain negatives; viewing of the negatives must be arranged with the Curator of Photographs. The negatives depict street scenes in central Los Angeles, including the wrecking of the Temple Block, the Amestoy Block, the Hall of Records, and Bunker Hill. Also included are views of the West Adams neighborhood; houses where Rolfe and his wife lived in the 1920s and 30s; the snowstorm of 1932; and the 1920 Inglewood earthquake. The collection also includes images of Hollywood and vicinity (including a number of photographs of the Mulholland Dam and images of Brentwood and Bel Air); Santa Monica (including the Santa Monica Mountains and Decker Canyon); Santa Catalina Island; north Los Angeles County (including the San Fernando and Santa Clarita valleys, the ruins of the Saint Francis Dam and San Francisquito Canyon, and the golden spike celebration at Lang); the San Gabriel Valley (including many views of the San Gabriel Mountains); Orange County (including Modjeska's home, Santiago Canyon, San Juan Capistrano, the Puente hills, and Santa Ana Canyon); San Diego County; San Bernardino County (including a number of photographs of mining camps, including Ivanpah and Camp Roach; construction of the Ludlow and Southern Railway; and mining operations, such as the Bagdad Chase Mine and the Bagdad Mining and Milling Company); Riverside County (including the Temescal Tin Mine, Temescal and the Temescal Valley, Hog Lake, the San Jacinto River, Mount San Jacinto, and Idyllwild); Ventura County; Kern County (images of the Kern River); Inyo County; Yosemite; northern California (including Stanford and Susie Lake); Nevada (Truckee River dam projects); Oregon; Washington; Utah; Glacier Park, Montana; people (Rolfe, his family and friends); and miscellaneous photographs (a number of desert views, mostly Southern California). The collection also contains commercial photographs of the Rolfe family, many in carte-de-visite format. The ephemerial materials consist of a letter written in 1862 from Sutter Creek by Rolfe's father Ovid to his brother Alfred in Dorchester, Massachusetts; biographical sketches of members of the Rolfe family; clippings compiled by Rolfe; Rolfe's high school and college diplomas; card files on Rolfe family history, covered wagons in Los Angeles, and Temescal history; and negative books.
photCL 188
photCL 188
photCL 400 volume 12