Manuscripts
Proposed memorial redwood grove
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Redwood saw
Rare Books
"In the summer of 2004, Richard Rothman traveled west with a 4x5 camera to explore the remaining fragments of ancient old-growth forests in Northern California. He pitched a tent amid the mammoth stands of redwoods and began making formal, intricate portraits of the forest, which he describes as 'the most visually stimulating environment I had ever been in.' Unexpectedly, he also began developing an interest in the neighboring town of Crescent City, an economically depressed logging and fishing community. Rothman was affected by the town's architecture, its emotional tenor, its political and religious culture, and the sometimes unconscious relationship that the townspeople had with the corralled forest to the east and the Pacific Ocean, which represents the end of the Western frontier. The contrast between the radical, spectacularly ornate environment of the forest and the trashed, disposable landscape of the town that abutted it became the subject of a more complex project which would take some surprising twists and turns. The body of work, made over a five-year period, is gathered together in the artist's monumental first book, Redwood Saw. This stunning monograph is an ambitious attempt to represent the culture, people, and landscape of Crescent City, and, by extension, the current American moment. Crescent City - a place that at one time must have seemed to possess an almost limitless abundance of natural resources - is revealed here as a compelling and dramatic model of a former boom town that staked its future on what can only be described as an 'unsustainable cultural and economic reality'"--Publisher's description.
653221
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Redwoods. Mariposa Grove; Miscellaneous
Visual Materials
The Eugene Swarzwald Pictorial California and the Pacific Collection consists of 9,674 black and white photographs, negatives, a photograph album, magazine mock-ups, letters, and ephemera, dated 1909-ca. 1968. Eugene Swarzwald and the Swarzwald family collected the material for use in the magazine "Pictorial California and the Pacific." Images depict California and the West with some coverage of the rest of the United States and international destinations. The collection contains photographs depicting general city views of communities in California, scenic views of wilderness areas, images of parks, schools and universities, museums, and points of historic interest (including California mining towns and missions). The collection is strong in subjects related to leisure and social and recreational activities. Many of the photographs are by the Keystone Photo Service. Other photographers include Chuck Abbott, Adelbert Bartlett, Lionel T. Berryhill, Lil and Al Bloom, Hal Boucher, Campbell-Ricco-Mazzuchi Photography, Caroll Photo Service, Garth Chandler, Walter J. Collinge, Fairchild Aerial Surveys, George O. Fales, Frasher's, J. P. Graham, Dean Hesketh Company, Charles M. Hiller, Pat and G. E. Kirkpatrick, Don Knight, Albert J. Kopec, Ward Linton, Lothers and Young, Hubert A. Lowman, David M. Mills, Don Milton, Gabriel Moulin Studios, Karl Obert, Earle O'Day, Pacific Air Industries Aerial Photography, Dave Packwood, Padilla Studios, Maynard L. Parker, Jack W. Patterson, Julius Shulman, Spence Air Photos, H. W. Steward, Thiem, Harry Vroman, Whithurse Aerial Photos, and Steven H. Willard.
photCL 310
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Bohemian Club at Bohemian Grove, California
Visual Materials
Photographs by White taken at the Bohemian Grove, a campground in the California Redwoods for the private San Francisco–based men's club known as the Bohemian Club. Images include the camp, men socializing, the Grove Play, and other activities. There are several portraits, but they are not identified. Also includes about 20 photographic postcards of the camp and a 1916 postcard from White to his wife.
photCL 426
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Yosemite. Redwood grove, probably either Tuolumne or Mariposa Grove
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
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John Muir Association, "Redwood Mountain:" [pamphlet]. 1 item
Manuscripts
The collection is made up of 59 ephemera items related to John Muir including pamphlets, brochures, newspaper clippings, magazine clippings, programs, poetry, and copies of Muir's writings and sketches. The material was collected by J. Marshall Watkins while he was researching John Muir. Authors include Ed Ainsworth, William Frederic Badé, Francis M. Fultz, Herbert W. Gleason, Bailey Millard, John Muir, and J. Marshall Watkins. Other subjects include Muir's conservation work in California including his involvement with the Hetch Hetchy Valley, Kings Canyon National Park, and Yosemite National Park. There is one pamphlet entitled "Redwood Mountain," published by the John Muir Association as well as a leaflet printed by the California Conservation Council regarding the life of John Muir. Many of the brochures are for events related to John Muir such as "John Muir Day" in San Francisco in 1939, a dedication of a Muir memorial park in Wisconsin, and a lecture entitled "John Muir Trails." Also included are offprints and flyers concerning the proposed John Muir-Kings Canyon National Park, and nine color reproductions of scenes in Yosemite National Park.
mssHM 66491
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Yosemite. Giant Redwood tree--probably Mariposa Grove or Tuolumne Grove
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402