Manuscripts
Letters regarding the Tournament of Roses parade
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Street parade [probably Tournament of Roses]
Visual Materials
This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.
photCL 56
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Tournament of Roses parade, Jan. 1, 1908
Visual Materials
This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.
photCL 56
Image not available
Tournament of Roses parade, Jan. 1, 1908
Visual Materials
This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.
photCL 56
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[Chinese men in Tournament of Roses parade, Pasadena, 1906]
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
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43. Tournament of Roses
Manuscripts
The collection contains letters, documents, including 190,000 reports, 1200 maps, 500 photographs, and 8200 pieces of printed material related to the life and career of Ralph Arnold. Subjects represented in the collection include: mining, petroleum, and seismology in the Western United States as well as Canada, Mexico, Cuba, and South America; political papers from 1914 to 1956, mostly concerning the campaign of Herbert Hoover for president; family and personal papers from 1836 to 1961 of Arnold and his father, Delos Arnold, containing source material on Pasadena and Southern California local history. The collection also contains Arnold's field books, including those made at Stanford University with the U.S. Geological Survey from 1900 to 1909.
mssArnold
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Rose, Edward E. (Edward Everett), 1876-1939 14 letters to Stanley John Weyman, 1855-1928, (1897)
Manuscripts
This small collection primarily consists of correspondence addressed to Stanley John Weyman related to his historical novel Under the Red Robe. The bulk of the letters are from Edward Everett Rose, 1862-1939, an American playwright, who adapted the Weyman's novel for stage at the Haymarket Theater in 1896. Weyman also received letters from Cyril Maude, a manager, and actors from the production.
mssWeyman