Manuscripts
Grace Aquilar letter to Robert Anderson
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Grace R. Simmons diaries
Manuscripts
Grace R. Simmons lived on a farm in the Pasadena, California area with her husband John L. Simmons and son Edward. Grace Simmons was the granddaughter of abolitionist John Brown, through her mother Ruth Brown Thompson. The collection includes 21 diaries written by Grace Simmons, describing her life and activities.
mssHM 31174
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Lady Grace Revere Osler letter to Dr. C.N.B. Camac
Manuscripts
This letter from Lady Grace Revere Osler, wife of Dr. William Osler, to Dr. Charles Nicoll Bancker Camac, who was a student of Dr. Osler, describes receiving a copy of Camac's "Counsels and Ideals from the Writings of William Osler" as well as Osler's recent travels and purchase of a house in Oxford. On letterhead "7 Norham Gardens, Oxford."
mssHM 84492
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Anderson, Robert
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
photCL 445
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William H. Anderson letter to Frances Anderson
Manuscripts
Letter from William H. Anderson to his daughter Frances, written from the "southern part" of New Mexico near Rincon. In the letter Anderson describes his travels from Boston to New Mexico by railroad. The letter was intended as a geography lesson for his daughter and Anderson carefully traces his progress through Buffalo, Detroit, down the Mississippi River to St. Louis, through Missouri and Kansas, and finally through Colorado to New Mexico. Anderson includes a slightly more detailed description of Kansas City, Missouri, where he rode in a cable street car. In addition to tracking his geographical progress Anderson writes of difficulties encountered with cattle on the railroad tracks.
mssHM 74757