Earle R. Forrest letter to Leslie Bliss | Collections | The Huntington

Earle R. Forrest letter to Leslie Bliss | Collections | The Huntington

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Earle Forrest Photographs of Hopi Indians
Visual Materials
This collection of 77 photographs by Earle Robert Forrest documents Hopi Native Americans in the villages of Oraibi and Mishongnovi, Arizona, in 1906-1908. The prints, made in the early 1960s, are accompanied by extensive descriptive typed captions by Forrest on the backs. Images depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Forrest traveling through Arizona and American painter Louis Akin observing the Snake Dance ceremony. Two photographs from 1960, a photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico, are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance. Item titles transcribed in an abridged form from the photograph captions.
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Earle R. Forrest enroute with Louis Akin to the Hopi Snake Dance at Mishongnovi. This was snapped by Akin on the Little Colorado River west of Tolchaco Mission. Little Colorado River, Navajo Indian Reservation, Arizona
Visual Materials
The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.
photCL 126
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Adventures in Navajo land
Manuscripts
This typescript is very similar to Forrest's book With a camera in old Navaholand, but it is not an exact copy; the typescript also contains notes that are not in the published version. Also included is a photograph of Earle Robert Forrest
mssHM 65749
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Forrest W. Coggan Papers
Manuscripts
This collection contains the papers of choreographer and theater director Forrest Coggan, chiefly dating from 1935 to 2001 and consisting of binders of material, correspondence, dance notes, manuscripts, subject files, notes, ephemera, published books belonging to Coggan, and audio-visual material. Binders These binders were created by Forrest Coggan himself. They contain photographs, manuscripts, blue prints and designs, letters, etc. The Binders series includes several sub-series: Forrest Designs – two binders containing sketches, blueprints, designs, etc., for buildings, houses, and gardens, as well as photographs of rooms that he designed, costumes for dancers and programs for theaters and dance performances. Also includes material Coggan designed for Teatro International Theatre: A Foundation for Pan-Am Performing Arts. Photos-Career – six binders containing photographs (and a few manuscripts written by Coggan and some clippings) that document Coggan's life and career from his birth in 1926 to 2006. The photographs are labeled and dated. The material is organized in chronological order. There is an Index of the binder's content at the beginning of the binder written by Coggan. Words-Career – ten binders containing manuscripts written by Coggan, photographs, clippings, correspondence, programs, etc., that document Coggan's life and career from 1930 to 2006. The material is labeled and dated and is organized in chronological order. There is an Index of the binder's content at the beginning of the binder written by Coggan. Correspondence – eight binders containing correspondence written by Forrest Coggan from 1923 to 1959. These letters are from his early childhood to his time in the US Army in the late 1940s and 1950s. Correspondence This loose correspondence is arranged alphabetically by author and then addressee. This correspondence is between Forrest W. Coggan and his family (chiefly his mother Blanche Coggan), other dancers, ex-students, authors, professors, and dance departments at universities in the United States. Many pieces of the correspondence are photocopies of letters. There are 307 pieces of correspondence. Dance Notes The Dance Notes series contains dance notes for a variety of musicals and performances. The material is made up of handwritten notes by Coggan, diagrams showing dance steps, music, related printed material, copies of photographs, programs, etc. They are arranged alphabetically by performance/musical title. There is one folder of work notes for a dance workshop (1971). The Dance Notes numbers 198 pieces. Manuscripts/Subject Files/Notes These folders are arranged alphabetically by subject/topic. They include manuscripts written by Forrest Coggan (including biographical information), notes written by Forrest Coggan, material collected by Forrest Coggan in his research, chiefly on the subject of dance. It includes handwritten manuscripts, notes, printed material, programs, teaching materials, etc. There are also two copies of Coggan's master's thesis "For the Choreographer." Subjects included are: dance (both teaching and performing), Ruth St. Denis, Teatro International, Inc. and Toyoza. This series numbers 240 pieces. Ephemera The Ephemera is arranged alphabetically by topic. The material includes items related to different dance groups such as the Sacred Dance Guild, Teatro Internacional, World Dance Alliance, and the Valentina Oumansky Dramatic Dance Foundation, Toyoza; as well as dancers Ruth St. Denis, Rose Lee, Vija Vetra, and Ethel H. Clark; dance performances (including photographs and copies of photographs); musician Sage Gentle-Wing; and miscellaneous ephemera collected to Forrest Coggan. The material is made up of clippings, programs, photographs, fliers, articles and pages printed from the Internet, etc. The ephemera numbers 102 pieces. Published Books belonging to Forrest Coggan The collection also contains 18 published books that belonged to Forrest Coggan. The volumes include a typed manuscript entitled "About these Books" written by Coggan. The books are in the order Coggan described them. He knew many of the authors and several of the books are signed by the authors and include handwritten notes by Coggan. Topics of the books are: the Hopi Indians, North American Indians, the Mayans and ancient Mexico, and spirituality. There are two books on dance (they are not on Coggan's list). Audio-Visual The audio-visual material is chiefly related to Forrest W. Coggan, dance performances, Toyoza, American Indians, etc. It includes a series of productions produced by Teatro Internacional, Inc. This series numbers 62 pieces. The audio-visual material is organized by format/type and then alphabetically by title: Cassette tapes VHS tapes CDs and DVDs Reel-to-reel (variety of formats) Oversize Oversize Box 16 houses oversize material from previous Coggan boxes. There are then four oversize items, housed separately (not in boxes) related to Forrest W. Coggan's designs including portfolios, drawings, sketchbooks, watercolors, etc. One portfolio is for Toyoza. Coggan designed costumes, theater buildings, etc.
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Coggan, Blanche. 108 letters (1963-1989) to Forrest W. Coggan. 109 items. Includes letter by Betty Nichols to Forrest W. Coggan
Manuscripts
Binders: These binders were created by Forrest Coggan himself. They contain photographs, manuscripts, blue prints and designs, letters, etc. The binders has four sub-series: Forrest Designs, Photos-Career, Words-Career, and Correspondence. These binders cover Forrest's childhood, his experience in the US Army, his dance career, and his work as a designer, etc. (1923-2006). The binders have an index. The Correspondence series contains letters between Forrest and his family (chiefly his mother Blanche Coggan), other dancers, ex-students, authors, professors, and dance departments at universities in the United States.
mssCoggan
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Murphy, Deanie Coggan. 2 letters (1988) to Forrest W. Coggan. 3 items. Includes a letter by "Aunt Nelle" to Forrest W. Coggan
Manuscripts
Binders: These binders were created by Forrest Coggan himself. They contain photographs, manuscripts, blue prints and designs, letters, etc. The binders has four sub-series: Forrest Designs, Photos-Career, Words-Career, and Correspondence. These binders cover Forrest's childhood, his experience in the US Army, his dance career, and his work as a designer, etc. (1923-2006). The binders have an index. The Correspondence series contains letters between Forrest and his family (chiefly his mother Blanche Coggan), other dancers, ex-students, authors, professors, and dance departments at universities in the United States.
mssCoggan