Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Essay, by Edward Luther Stevenson, giving a brief history of Portolan charts and atlases. Essay also summarizes and describes the twelve manuscript Portolan atlases formerly owned by Sir Thomas Phillipps (1792-1872), now at the Huntington Library. Also includes one letter from Edward Luther Stevenson to Leslie E. Bliss, giving the essay to the Huntington Library
mssHM 58295
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Manuscripts
This material includes four unsigned and undated pages in the hand of Robert Louis Stevenson. The first page is a pencil drawing of a masted ship; the next page begins "The childish old man..." and contains quotes and notes from William Wyatt Gill's "Myths and Songs from the South Pacific" (London : Henry S. King, 1876). The following page is numbered "58" and headed "Part V / Whites and White Influence in the Pacific," which appears to be part of a manuscript held by the Huntington: drafts of "In the South Seas" (mssHM 2421).The final page is a numbered list dealing with debts, mortgages, and bills.
mssHM 44078
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Manuscripts
Also enclosed: an analysis and interpretation by Richard Mansfield of the characters of Dr. Jekyll and Mr. Hyde, December 30, 1887.
mssHM 2414
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Manuscripts
An autograph, signed, and undated letter written from Sydney, New South Wales, Australia; contextual details identify the addressee as F. Marion Crawford and date the letter either 1891, February or 1893, March. The letter is addressed to "Dear Sir" and Robert Louis Stevenson admits he did not think very highly of Crawford's work when he first read it; he has now revised that opinion and praises Crawford's writing and career making this a "fan" letter from one celebrated author to another. On the verso of the letter is an extended signed postscript concerning music.
mssHM 83785
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Manuscripts
This collection consists of roughly 252 unbound illustrations of Indians in both North and South America, by artist and author George Catlin, and other items all related to Catlin's unpublished manuscript The North Americans in the Middle of the Nineteenth Century. Collection contains bound folio manuscript of The North Americans in the Middle of the Nineteenth Century (Volume A). The contents of Volume A are: Map of North America with Distribution of tribes, Prospectus, Preface, Second Preface, Lists of tribes, Descriptions of plates, and Glossary. There is also a small, bound volume consisting of the report of J. Garland Pollard of the Smithsonian Museum, who identified many of the illustrations for Rogers (Volume B). The contents of Volume B are: Letter from J. Garland Pollard to A. Howard Clark, Curator of the National Museum (1892, Apr. 18), Lists of illustrations called for in the manuscript "The North Americans," letter from William Hallett Phillips to Archibald Rogers (1892, Dec. 27), and letter from George B. Grinnell to William Hallett Phillips (1892, Oct 24). The unbound illustrations consist of the following: 24 finished color cartoons, 26 unfinished color cartoons, 38 finished pencil outlines, 107 unfinished pencil outlines (many are counterproofs), and 43 line cuts (from Catlin's published works). They were probably composed for the most part during the late 1860s in Brussels, particularly those means to accompany the manuscript, and those unidentified ones which clearly portray the South American Indians which Catlin visited only during his final explorations in the 1850s. Most of the drawings and cartoons are copies of cartoons prepared by Catlin to replace his original collection confiscated in 1851, and therefore their original versions in many cases date from the 1830s. The line cuts are taken from Catlin's books and were inserted by Archibald Roger's agent in places where no drawing existed corresponding to a particular description in the manuscript text. The illustrations numbered 1-206 in the collection correspond to the descriptions in Pollard's report; in many cases a described illustration is missing from the collection (the drawing numbers are not truly consecutive); in other cases as many as three versions (enumerated a, b, c) of the same illustration exist, in different media. Illustrations numbered consist of paintings and drawings not described in the text, and otherwise unidentified, expect that many are clearly South American subjects. Illustrations numbered 265-285 are partially finished copies (with colored backgrounds but figures outlined) on cardboard canvas paintings (originally 27 in number) forming a series entitled "Voyages of Discovery by LaSalle" which Catlin was commissioned to do by Louis Philippe of France, and which are described in Catlin's Catalogue…of Catlin's Indian cartoons (New York, 1871, 67-69). Most of the illustrations (except for the LaSalle) consist of group portraits, full-length, of Indians, arranged by tribe. Those painted in oils are marked "color" in the container list, although in some cases the coloring is incomplete, consisting of yellow figures against an undifferentiated greenish background. The drawn figures are generally counterproofs; in many cases Catlin has drown over the counterproof outlines in pencil, refining them, and this drawing is noted in the container list as well. Illustrations cut out Catlin's books are marked "printed." Collection also contains facsimiles of correspondence from the New York Historical Society, as well as photocopies of Catlin manuscripts and drawings from the Newberry Library, Yale University Library, and the New York Public Library. Collection also contains the original mat labels and the original binding for Volume A.
mssHM 35183