Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
mssHale papers.
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Manuscripts
mssHale papers.
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Manuscripts
mssHale papers.
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Manuscripts
This collection consists of materials relating to Ralph H. Cameron's political and business activities, mostly in the years between 1903 and 1912. Box 1 consists of manuscript files, including land and mining claims, financial documents, and political documents, including press releases regarding statehood and ranching. Also included with the manuscripts are materials related to bills introduced by Cameron, "Letters Protesting the Statehood Bill," and Congratulatory telegrams. The "Bills Introduced" includes depredation claims reported to Cameron, for which he sought Congressional consideration, and consist of correspondence with the claimants and Commissioner of Indian Affairs Robert G. Valentine, copies of the legislation Cameron sponsored, and Congressional Committee reports on the proposals. Also included with "Bills Introduced" is material relating to a bridge over the Little Colorado River in Arizona for which Cameron sought Congressional funding. The material protesting statehood consist almost entirely of letters, many of them mechanically reproduced or copied verbatim, demanding that Arizona be allowed to maintain its provisions for a literacy requirement in voter registration. One file consists of congratulatory telegrams sent on the occasion of Arizona's statehood.
mssCameron papers
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Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett