Manuscripts
Canterbury Cathedral Chronicle: Number 13
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Canterbury Cathedral Chronicle: Number 13
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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The Cathedral and Metropolitan Church of Christ, Canterbury: a Handbook for Pilgrims
Manuscripts
mssEsdaile.OLD
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Canterbury (England). Library of Canterbury Cathedral. Survey: 2 pages
Manuscripts
This collection is arranged in two parts--Manuscripts and Correspondence. While the bulk of the collection contains questionnaires ("Modele de La Formule No. 4") and surveys ("Liste No. II") written in French, select materials contain correspondence, publication announcements, and various drafts of Green's publication of Andrea Alciati and His Books of Emblems: A Biographical and Bibliographical Study, which was later published in 1872. Museums, university libraries, public libraries, personal libraries, and other institutions throughout Europe and the United States responded to Green's request to locate such materials. Such organizations included the Hague Royal Library, the Sir William Stirling-Maxwell Library, the Cambridge University Library, the Coppenhagen Royal Library, the Amiens Library, the Royal Library of the University of Turin, the Leuven University Library, and much more. Recipients who acted as the liaisons for the aforementioned repositories included modern emblem specialists (G.S. Cautley and Sir William Stirling-Maxwell), librarians, and library staff. Since a large extent of the materials received were written in English, French, German, and Italian, different spelling variation of the name Andrea Alciati were used including Andreas Alciatus and Andrea Aliciato.
mssGreenh
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A Plan of Canterbury Cathedral (5th edition)
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile