Manuscripts
St. George's Chapel, Windsor Castle and its Precincts: a short guide by Albert Baillie [+ 1 photograph]
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St. George's Chapel, Windsor Castle and its Precincts: a short guide by Albert Baillie [+ 1 photograph]
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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Cathedral Church of St. Andrew [of] Wells: Short Guide for Visitors to the Choir, Lady Chapel and Chapter House
Manuscripts
mssEsdaile.OLD
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Government: Lord Chamberlain's Office: Ceremonials: Removal of Prince Albert's Body from Windsor Castle to the Royal Vault in St. George's Chapel: [printed]
Manuscripts
The collection consists of personal letters among the Townshend family members, business correspondence, land papers and deeds, financial accounts, bonds, receipts, Government and political material, legal briefs and court opinions, literary material including epitaphs, poems, prayers and travel accounts, military material, wills, marriage settlements, family account books and diaries. Significant correspondents include George III, George IV, William IV and Victoria, as well as many members of the Royal family. Political correspondents include 1st Earl of Chatham, W.E. Gladstone, George Grenville, Lord Palmerston, Sir Robert Peel, Spencer Perceval, William Pitt, the Duke of Wellington, and John Wilkes. Important note: although this material includes the years 1769-1865 there is only one letter which refers slightly to the American Revolutionary War and no letters or other material deal with the American Civil War.
mssTD
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The Official Guide to Windsor Castle
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile