Manuscripts
Miscellaneous correspondence from extended family members
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Correspondence from Esdaile extended family and friends
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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Correspondence from Katharine Esdaile to family members
Manuscripts
Consists of: 1 letter to Stewart McDowell, 1902, from Oxford. 1 letter to Esdaile's father, 1904, an apology from Oxford. 3 letters to Arundell Esdaile, 1904-1905 2 letters to Eleanor Esdaile, 1947, 1949, about family matters. 7 letters to Edmund Esdaile, 1934-1945, chiefly about college bills and family business.
mssEsdaile
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From Esdaile, Edmund (miscellaneous)
Manuscripts
10 miscellaneous pieces of correspondence by Edmund Esdaile, including two undated notes to his parents.
mssEsdaile
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Photographs of extended family
Manuscripts
Carte-de-visite portrait of E.W. Benson; portrait of A.C. Benson; film negative of portrait of Captain White Benson (possible ancestor?) and two photographs of the family of Janet Esdaile Woods, 1945-1946.
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Incoming correspondence
Manuscripts
30 letters on topics including Arundell Esdaile's heart problems, and a January 12th letter explaining difficulties with Pantheon Press over an unpublished manuscript, as well as letters from Esdaile's brother Stewart McDowell and his wife(?) Hilda
mssEsdaile
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Miscellaneous family photographs and ephemera
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile