Manuscripts
Incoming correspondence
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Incoming correspondence
Manuscripts
35 letters chiefly containing inquiries about sculpture, Esdaile's preparation of the Vertue manuscript for publication by the Walpole Society, and her being awarded a silver medal by the Royal Society of Arts for her paper 'The Portrait in Later Monumental Sculpture.'
mssEsdaile
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Incoming correspondence
Manuscripts
35 letters on topics including the award of a Leverhulme Research Fellowship to Esdaile to work on the dictionary of British sculptors (May 10); letter of thanks from the Royal Academy of Arts for assistance with the 1938 exhibition of 17th Century Art in Europe; a booklet on Lancing College; work on the Shell Guide to Oxfordshire (September 19 letter of thanks from Poet Laureate John Betjeman); the publication of a booklet on Tong Church; and a piece published in Country Life.
mssEsdaile
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Incoming correspondence
Manuscripts
60 letters on topics including the disastrous fire in Westminster Abbey (May 12 letter from Geoffrey Houghton-Brown) with a follow-up letter from Lord Esher suggesting a course of action; correspondence with Alderman J. B. Morrell of York (which led to Esdaile's work on Yorkshire monuments); an invitation to write articles on "monumental effigies" of Berkshire in Archaeological Society's Journal; and the destruction of the Temple Church and adjacent buildings.
mssEsdaile
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Incoming correspondence
Manuscripts
48 letters on topics including Esdaile's notes to the Shell Guide (to Buckinghamshire? and churches); a December 8th letter from C.T. Collins Baker at the Huntington Library about sculpture; the publication of Monuments in English Churches ("SPCK little book"); an October 27th card from Arundell Esdaile Harrington; and a short paper on Epiphanius Evesham for the Somerset Archaeological Society.
mssEsdaile
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Incoming correspondence by correspondent
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
Image not available
Incoming correspondence
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile