Manuscripts
Incoming correspondence
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Incoming correspondence
Manuscripts
The Times on the preservation of church monuments through photographs; an invitation for Esdaile to become a representative of the Society for the Protection of Ancient Buildings at the Conference (which led to the Council of National Buildings Record); an angry letter from Geoffrey Houghton-Brown about inadequate efforts to safeguard Westminster Abbey; correspondence about Joseph Wilton RA; the rejection of a novel manuscript by publisher John Murray; Arundell Esdaile's retirement from the British Museum; and a letter about the Leverhulme Fellowship (for the Dictionary of British Sculptors). The impact of the bombings destruction and uncertainty around the country is vividly brought out in these letters.
mssEsdaile.OLD
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Incoming correspondence
Manuscripts
47 letters on topics including enquiries about sculptors; relevant Medieval professions (March 10th letter from Ralph Griffin); the publication of a book on Temple Church; Esdaile's appointment as a lecturer for the Royal Academy of Arts' Exhibition of British Art.
mssEsdaile
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Incoming correspondence
Manuscripts
55 letters on topics including tea with the French Ambassador; an article from British Medical Journal about Esdaile's discovery of 2 Roubiliac terra-cottas in the Royal College of Surgeons; "Fan Mail" on the Roubiliac book; a letter (of July 17, 1931) from a couple applying for servants' positions with family; Esdaile's work on 'Old Church Monuments' (comments on draft); more work for the Italian Embassy. Proposal from Societies of Inner Temple & Middle Temple to evaluate "sepulchral monuments and mural tablets" into a "Catalogue Raisonne'"; and articles in The Times.
mssEsdaile
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Incoming correspondence by correspondent
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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Incoming correspondence
Manuscripts
95 letters including 4 letters from the Batsfords about a book on sculptors; a March 19th letter from Mary Olive Latham of Los Angeles about Jasper Latham (a British mason/sculptor and her ancestor), mentioning research done at the Huntington; a July 30th letter from architect John Harvey containing two 1-page typescript documents about Wells, Somerset: a transcript of "Documents in Wells Museum" referring to "Masons, Statuaries, etc." and "Monuments in Wells Cathedral Cloisters (signed items up to c. 1800)"; complaints from Sacheverell Sitwell about delays in publishing a book; and references to Esdaile's accident and subsequent leg problems. Includes 9 Christmas cards to the Esdailes.
mssEsdaile
Image not available
Incoming correspondence
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile