Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
24-page typescript and manuscript drafts of introduction of "Sculpture and Sculptors in Yorkshire," accompanied by a 1-page typescript "List of early Yorkshire artists" and typescript list "Alphabetical Index of Places in Yorkshire and the Sculptors Concerned."
mssEsdaile
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Manuscripts
Consists of reprints of the Sculpture and Sculptors in Yorkshire: Part I (Reprint from Part 140, vol. XXXV, 1943). Sculpture and Sculptors in Yorkshire: Part II (Reprint from Part 141, vol. XXXVI, 1944) Sculpture and Sculptors in Yorkshire: Part III (Reprint, undated) Sculpture and Sculptors in Yorkshire: Additions and Corrections (Loose page, undated)
mssEsdaile
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Manuscripts
The Sculptors Dictionary is a compilation of biographical entries on sculptors who worked in the United Kingdom from the 11th to the late 19th century.
mssEsdaile
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Manuscripts
Alphabetical list of major sculptors and their works with locations and dates. Note: there are no 'A' entries.
mssEsdaile
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Manuscripts
Incomplete manuscript, unorganized of a catalogue of monuments and sculptors, largely arranged by location.
mssEsdaile
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Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile