Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Includes "Edward Pierce" (draft manuscript of article and biographical notes).
mssEsdaile
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Manuscripts
Consists of: Introduction (to book/pamphlet on Abbey), together with letter on The Guardian letterhead advocating an article on the Abbey to commemorate an exhibition of Abbey sculpture. "Monuments in Westminster Abbey ... prepared by Mrs. Arundell Esdaile" (Society for the Protection of Ancient Buildings) (2 typescript versions; one is annotated and missing front page) "Re: Westminster Abbey Mons" (manuscript fragment, with additional fragments related to monuments) 1931 letter to Editor of The Times by Katharine Esdaile on Abbey monuments and subsequent correspondence. 1940-41 Correspondence from Lord Esher and another correspondent to Katharine Esdaile about problems of preservation during World War II bombings
mssEsdaile
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Manuscripts
(a) Final Version (typescript, with annotations, but pp. 1-2 only) (b) Semi-Final Version (typescript complete with annotations) (c) Draft Version (typescript with annotations) (d) First Draft Version (manuscript of Letter "I") (e) First Draft Version (manuscript of Letter "J")
mssEsdaile
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Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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Manuscripts
Consists of a typescript final version with annotations and typescript and manuscript draft versions with annotations.
mssEsdaile
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Manuscripts
Article drafts accompanied by 1927 letter about a bust and some manuscript notes. Article published in The Burlington Magazine, September 1944.
mssEsdaile