Manuscripts

Notebook #100

Description: Bound notebook with additional laid-in documents compiled Esdaile's research as a precursor of the Sculptors Dictionary, including letters and cuttings added to supplement Ms entries (originally Workbook #100) and Miscellaneous Sculptors Dictionary notes (manuscript, incomplete).
Type: Manuscripts(Opens in new tab)
Date: Undated
Call number: mssEsdaile
Creator: Esdaile, Katharine Ada (1881-1950)(Opens in new tab)
Provenance: Purchased by the Huntington Library in 1962. The collection was initially accessioned into the Huntington Art Reference Library in 1962. Sometime afterwards, the printed books and pamphlets were removed, separately catalogued, and shelved with the main body of the Art Reference Books, and the photographs were removed to the Photo Study Collection. In 2005, the Art Reference Library collection was merged into the main collection of the Huntington Library and the decision was made to re-integrate the printed material and photographs of the Esdaile collection into the papers.

Notebook #29

Manuscripts

Begun by Arundell Esdaile, 11/4/07; dated by Katharine Esdaile 1939. Arundell Esdaile's entries mainly in pen; Katharine Esdaile in pencil. Arundell Esdaile's entries not listed below. Places visited by Katharine Esdaile: - Woodford (Oct 25, 1939), Charles I (at 41 Harley St. (under C), Goudhurst (under G), Rowenden (?) (under H), Bettersder (?), book reverses Standen, Bishops Stortford (May 26, 1932), Thersted, Saffron Walden, Aspenden. Notebook is labeled: Arundell Esdaile "Books to Read" alphabetized; used by K.A.E. for mons. by place and sculptors.

mssEsdaile

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Notebook #14

Manuscripts

Early notebook version of the Sculptors Dictionary (with some notes on churches), perhaps later transferred to some other format. Page 2-3: "List of Virtues."

mssEsdaile

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Notebook #44

Manuscripts

Address Book used as an early dictionary/notebook largely on sculptors, but also on monuments and materials (e.g. alabaster 'painting of monuments'). Rather haphazard arrangements; mainly collection of notes. Includes a 1927 letter to Katharine Esdaile tipped in.

mssEsdaile

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Notebook #85

Manuscripts

With 4 covers, including one titled "Wills, Patents, etc."--2 front covers and 2 back covers. The book is a thick address book with alphabetical entries for individual sculptors and schools/geographical areas of sculptors and to have nothing to do with 'wills' or 'patents.' This is possibly an early version of the Sculptors Dictionary.

mssEsdaile

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Notebook #99

Manuscripts

Rather misleading title, as there appear to be no detailed references to Italy or Iceland; rather this is another alphabetical workbook with references to numerous sculptors, sculptures, and a few churches. Noteworthy are alphabetical listings for masons who died c. 1660. Includes an enclosed letter dated 1940.

mssEsdaile

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Notebooks Nos. 100-101

Manuscripts

This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.

mssEsdaile

Notebook #100

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Notebooks Nos. 100-101