Larpent dramatic manuscripts catalogue

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  John Larpent Plays

  Manuscripts

  This collection consists of official manuscript copies of plays submitted for licensing between 1737 and 1824 that were in the possession of John Larpent, the examiner of plays, at the time of his death in 1824. These copies were later owned by John Payne Collier before being purchased by the Bridgewater House Library. The collection includes 2,399 identified plays as well as an additional 104 unidentified pieces including addresses, prologues, epilogues, etc. These copies of plays, generally, were clearly written by professional copyists attached to the theaters, though some are partly, or entirely, in the authors' handwriting. Most copies are accompanied by a formal application for license to perform, signed by the manager of the theater. The name of the author only rarely appears upon the play, except on title-pages of printed copies, submitted instead of manuscripts. Presumably, all new plays performed between June 24, 1737, and January 18, 1824, were licensed as the law required, but Larpent's collection is not entirely complete. The most conspicuous of the plays not now in the Huntington's collection (e.g., The Clandestine Marriage and The School for Scandal) are also not listed in the manuscript Alphabetical Catalogue with Notes of Theatrical representations &ca Submitted for Licensing From The Year 1737, to the Year 1787 inclusive in the handwriting of Larpent and of his second wife (now held by the New York Public Library). Their omission in Larpent's list suggest that these plays were removed from the Examiners' papers before Larpent took office. Others appear to have been either returned to the managers or given away by Larpent or by Collier. Note though that the Alphabetical Catalogue is incomplete and lacks a large number of titles held in this collection. A manuscript catalogue, Larpent dramatic manuscripts catalogue, 1737-1824 (call number: EL 26/B/11), was presumably made under Collier's direction, and it sometimes conveys information not found upon the copy itself, though the catalogue is incomplete and at times inaccurate. Originally, the manuscripts were bound in a rough whity-brown paper covers, upon which the Examiner often made notes. Before Larpent took office, the mark of an "X" on the paper cover seems to have indicated that the play had been examined; but Larpent usually entered the name of the theater submitting the play and a date, presumably when Larpent licensed the play and generally a day or two after the date of the application. Sometimes, though, the date is considerably after the first performance. On some copies, the marks of the Examiners indicate objectionable passages, and most suppressed plays bear endorsements stating that the license was not granted. While Collier had access to the collection, he inscribed many of the copies with notes, most of them partly in shorthand, recording his opinions on matters such as authorship, handwriting, or date. Though many of these notes are correct, others are mistaken or unintelligible. The fact that these plays are official copies sent to the office of the Examiner by the managers of the theaters, not the authors, places them in a different category from that of most literary texts. Their relation on the one hand to the acted version and on the other to the published work raises complicated problems that can be solved only individually. What liberties actors took with the text after it had been approved, one cannot say, but it seems likely that in general the licensed text was presented on the stage. The printed play, however, was generally set from copy provided by the author; and in it he had the opportunity to restore what the manager had eliminated, or to revise the piece in the light of its reception. The Larpent text, thus, may represent a state of composition either later or earlier than the first acted version. An examination of the manuscripts will show that the Examiner's copy seldom conforms entirely to the published text.

  mssLA 1-2503

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  Two license books of John Larpent

  Manuscripts

  Register of licenses issued by John Larpent from Jan. 1801 to Jan 15, 1824. The entries include the names and brief descriptions of the plays for which licenses were granted, with the name of the theatre where it was to be performed, together with the entry for the license fee. In addition to the London theatres -- the Haymarket, Covent Garden, Drury Lane, the Adelphi and the Olympic -- there are entries for provincial theaters such as Norwich, Birmingham, Margate, Liverpool, Manchester, York, Hull, and Glasgow, sometimes with the name of the manager. A few plays are crossed out as "refused." There is an entry for "An address to be spoken on Master Betty's 1st appearance in London, Theatre Royal Covent Garden Dec. 1st 1804."

  mssHM 19926

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  Game at chesse : manuscript, 1624

  Manuscripts

  Thomas Middleton's game at chess, including the Prologue, partially in his own hand along with two other scribes. Paper, i, 54, ii leaves. Principally in a professional secretary hand, with the title-page (f. 1r), folios 21v-2r, 46r-54v (including the Epilogue), and two or three corrections elsewhere in Middleton's hand, as well as possibly the boxing of speakers' names in pencil or lead point; the Latin oration on f. 45r in another scribal hand. Written in 1624. Pencil foliation begins on initial blank leaf and continues through final blank leaves.

  mssEL 34 B 17

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  Bibliothecae regiae in palatio D Iacobi codd. tam mss. quam impress. catalogus : manuscript

  Manuscripts

  This is apparently the original catalogue of King Charles I and King Charles II's printed books and manuscripts in the library at St. James's Palace; the volume also formerly owned by Colonel Lovelace in the 17th century. The volume is bound in red morocco leather; at each corner of the central panel and on the back are crowns with the letters C.C. intertwined. There are additional blank pages at the beginning and end of the volume, with some minimal insect damage; with modern autograph notes in pencil on the first page.

  mssHM 180

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  Journal of the operations of the Queen's Rangers : autograph manuscript draft, before 1787

  Manuscripts

  A draft of the beginning of Simcoe's Journal, with pencil notes and remarks in a different hand. On p. 1, the autograph note: "Do, Hole, mark with a pencil opposite my Remarks; this is but a rough sketch."

  mssSimcoe

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  Entertainment at Ashby: manuscript, 1607

  Manuscripts

  A partly autograph presentation manuscript by John Marston of the masque presented for the family of Henry Hastings, fifth Earl of Huntingdon. Staged at the family seat at Ashby, Leicestershire, in 1607, the show is devised as pastime for a visit by the Earl's mother-in-law, Alice Spencer, dowager Countess of Derby. Binding: gold-tooled vellum. Paper, 15 quarto leaves; main text written probably in a single professional hand, in alternating italic and secretary scripts. The dedication (f. 1r) and all of ff. 14r-15r in Marston's hand, as are probably occasional deletions, corrections and additions throughout the text. Written in 1607. Also includes a tipped-in a separate manuscript of verses relating to Lady Derby and Lady Huntingdon (beginning "As this ys endelesse, endelesse be yor ioyes"), in a secretary hand, subscribed 'W: SK:' [i.e. William Skipton], on the first two pages of a pair of conjugate folio leaves.

  mssEL 34 B 9