p. 02/04/81 letter to DGW form Francis Haskell of the Getty replying to her letter. [See n. above]

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  n. 02/02/81 copy of DGW letter to Francis Haskell of the J. Paul Getty Museum discussing a previous meeting and informing him of the status of his request for photographs. [See p. below for reply]

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  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

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  d. 07/02/79: FH letter to DGW replying to 06/04 letter [See c. above] indicating that the draft letter is good

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

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  u. 04/10/81 Richard [Hutton] response to DGW letter [See r. above and v. below]

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

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  v. 01/02/82 Ellis Waterhouse letter to DGW replying to her letter [See u. above]

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway

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  i. 04/21/81 letter to DGW from Martin Meisel regarding status of the above [See e. and h. above and w. below]

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway

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  v. 04/25/81 copy of DGW letter to Richard [Hutton] responding to his letter [See u. above] and continuing the dialog

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway