Proof sheets and film negatives | Collections | The Huntington

Proof sheets and film negatives | Collections | The Huntington

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Film negatives of rolls
Manuscripts
This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.
mssCosway
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q. Handwritten sheet headed "Roll 2 - 800"
Manuscripts
This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.
mssCosway
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Record of films exposed and descriptions [handwritten list and notes arranged by roll number]
Manuscripts
This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.
mssCosway
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w. 08/04/81 letter (In Italian) from Annamaria Petrioli Tofani of the Uffizi in Firenze. Content unknown. [See z. below for reply]
Manuscripts
This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.
mssCosway
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t. 03/31/81 copy of DGW letter to Paul Lynch of the BBC replying to 03/23 letter [See s. above] describing her work and the lack of conflict. DGW also refers Lynch to Commander Barnett and describes his situation. [See I.C.4. above for correspondence regarding Barnett]
Manuscripts
This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.
mssCosway
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ii. 08/24/76: Draft copy of letter to Mr. Robert Munn of the West Virginia University Library thanking him for microfilm [See cc. above]
Manuscripts
This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.
mssCosway