a. 05/02/79: Copy of DGW letter to FH discussing Commander Barnett's possession of Cosway drawings from Lodi and the implications of this. [See b. below]

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  b. 05/25/79: FH letter to DGW replying to her 05/02 letter [See a. above] suggesting that DGW contact Commander Barnett about returning the drawings to Italy

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway

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  c. 06/04/79: Copy of DGW letter to FH discussing how to proceed with contacting Commander Barnett. Includes draft of letter to Commander Barnett (dated July 14, 1979). [See d. and e. below]

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway

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  d. 07/02/79: FH letter to DGW replying to 06/04 letter [See c. above] indicating that the draft letter is good

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway

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  c. 05/14/76: Copy of DGW letter to JF replying to 04/05 letter [See b. above] continuing Paoli discussion and raising her upcoming trip to Lodi. [See d. below]

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway

• Image not available

  e. 12/03/79: Copy of DGW letter to FH asking advice since Barnett has not replied to her letter. [See c. above]. Also a typed draft of this letter

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway

• Image not available

  b. 04/05/76: JF letter to DGW discussing a Richard Cosway portrait of Paoli. Letter indicates that a copy is enclosed. [Not found] [See c. below]

  Manuscripts

  This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals.

  mssCosway