Manuscripts

Berthold Auerbach collection

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Description: This collection includes letters and notes to Scribner & Co., written from Berlin, Germany, with stamped and addressed envelopes; the collection also includes "Adam und Eva auf den landwirth..." printed proof sheets with autograph notes by Auerbach and others.
Type: Manuscripts(Opens in new tab)
Production date: 1877 February-June.
Call number: mssAuerbach
Creator: Auerbach, Berthold (1812-1882)(Opens in new tab)
Provenance: Provenance unknown. In library as of 1953.
Restrictions: Open for use by qualified researchers and by appointment. Please contact Reader Services at the Huntington Library for more information.

Diana Wilson Collection of Richard and Maria Cosway Materials

Manuscripts

This collection contains research materials on English portrait painter Richard Cosway (1742-1821) and his wife, English-Italian artist Maria Cosway (1760-1838), compiled by art historian Diana G. Wilson (1932-1988) for her doctoral dissertation (never completed) at the University of California, Los Angeles, from the mid 1970s to the mid 1980s. The papers include Wilson's correspondence, research files and notes, dissertation drafts, and reproductions of artwork and manuscripts (including photocopies, photographs, negatives, slides, and microfilm). The materials expand from Wilson's research and development of a dissertation initially proposed as: "Richard Cosway: An investigation of the development of the role of the artist and the concept of portraiture in England, 1760-1820," but the collection includes materials about the lives and art of both Richard and Maria Cosway. Note: all materials dating from the 18th and 19th centuries are reproductions of originals. The research notes and photocopies reflect Wilson's efforts to develop lists of the Cosways' art and determine holdings within specific museums and libraries. There are typescript and handwritten drafts of portions of Wilson's dissertation (Box 2) and card files with research and bibliographic notes (Boxes 3-5). Wilson's correspondence includes drafts of her letters, chiefly requesting information and research materials, and responses from art historians, museum staff, scholars (Box 6). There are photocopies of secondary sources (both from monographs and periodicals) chiefly about the Cosways (Box 7), as well as miscellaneous handwritten lists and photocopied inventories of Cosway artwork and property (Box 8). The collection does include photocopies of original manuscripts including the handwritten 1820 inventory of the Cosway property (Box 8, Folders 6-7) and correspondence and manuscripts of the Cosways (chiefly related to Maria Cosway) (Box 9), as well as a microfilm reel (2 copies) that includes correspondence to and from Cosway in Italian, French, and English, as well as an 1828 diary (Box 11). There are photocopies and some prints of images of Cosway artwork, as well as proof sheets, film negatives, and some photographs of artwork chiefly photographed by Diana Wilson, including from collection at the Fondazione Cosway Maria, Lodi (Box 10). There are also 248 color slides both of Cosway art and unrelated art images presumably used in various presentations (Box 12). Within the collection, there is some discrepancy and overlap between the series. For example, while there is a series "Book and Article photocopies," additional article reproductions can be found in other series. Note: in the contents list, Wilson's name is often abbreviated as "DGW."

mssCosway

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Collection of Published Articles

Manuscripts

Bound scrapbook containing clippings and offprints of Esdaile's published writings, chiefly from The Architect, Burlington Magazine, and Country Life, as well as some articles by others. Includes: "Meditations Among the Tombs" (review of English Monumental Sculpture) (pp. 121-122 in Country Life, January 28, 1928) "Bubb" by Katharine A. Esdaile (pp. 33-44 in Art Work Spring 1929) "New Light on a Neglected Century of British Sculpture" by Katharine A. Esdaile (pp. 241-246 in Discovery, 1922) "The Limits of Architecture" (pp. 165-166 in The Architect, September 8, 1922) "Wilkes by Roubiliac: A Bust Given to the Corporation of London" (pp. 1041-1042 in The Illustrated London News, June 8, 1935) "New Light on Hubert Le Sueur" by Katharine A. Esdaile (pp. 177-184 in Burlington Magazine, 1934) "Royal Academy of Arts: Exhibition of 17th Century Art in Europe, January-March, 1938" (leaflet) "English Statuary at the Antwerp Exhibition" (pp. 653-654 in The Architect & Building News, May 23, 1930) "The Decline of the Mason-Architect in England" by Douglas Knoop and G.P. Jones (pp. 1-4 in Journal of the Royal Institute of British Architects, August 14, 1937) "Correspondence: References to Sculptors in Wren Society's Volume XI" (pp. 556-558 in Journal of the Royal Institute of British Architects, March 9, 1935) "Correspondence: Wren Society, Volume XI" (pp. 611-612 in Journal of the Royal Institute of British Architects, March 23, 1935) "The Story of Regent Street" by Charles G. Harper (pp. 64-66 in The Architect, January 23, 1925) "Caius Gabriel Cibber" [review] (pp. 331-332 in The Architect & Building News, September 17, 1926) "The Newark Papers" (typescript, Sept-Oct 1940) "Some Eighteenth Century Works on Architecture-II" by Mrs. Arundell Esdaile (pp. 567-570 in The Architect & Building News, November 12, 1926) "Harefield Church and its Monuments-II: a lecture delivered at Gerrards Cross on November 9, 1925, by Mrs. Esdaile" (pp. 403-404 in The Architect, December 4, 1925) "Harefield Church and its Monuments: a lecture delivered at Gerrards Cross on November 9, 1925, by Mrs. Esdaile" (pp. 385-388 in The Architect, November 27, 1925) "The Symbolism of Death in England-1440-1780" by Mrs. Arundell Esdaile (pp. 272-273 in The Architect, October 16, 1925) "Paintings at the Royal Academy by Philistine" (pp. 1-8 in The Architect & Building News, May 7, 1926) "Roubiliac (1695-1762)" (pp. 1079-1082 in The Saturday Review, November 23, 1918) "Why St. Paul's is Empty" (pp. 89-90 in The Architect, August 10, 1923) "Sir. John Vanbrugh: A Critical Note" by A. Trystan Edwards (pp. 253-262 in The Architect & Building News, March 26, 1926) "Lord Chesterfield on Chelsea China" by K.A. Esdaile (p. 458 in Country Life, September 20, 1924) "A Re-Discovered Portrait of Michelangelo at Goldsborough Hall" by Tancred Borenius (pp. 434-335 in Country Life, September 20, 1924) "Wentworth Woodhouse - I. Yorkshire. A Seat of Earl Fitzwilliam" by H. Avray Tipping (pp. 436-444 in Country Life, September 20, 1924) "Shorter Notices: Cousin to Pepys and Dryden : a note on the works of Mrs. Elizabeth Creed of Tichmarsh" by K.A. Esdaile (pp. 24-28 in the Burlington Magazine, 1940) "Garden Sculpture by Caius Cibber" by Lady Victoria Manners (pp. 382-383 in Country Life, September 27, 1930) pp. 149-150 of The Architect & Building News, May 11, 1934 "At the Theatre: A Light View of First Principles" (pp. 681-682 in Country Life, May 10, 1930) "The Howard Tombs at Framlingham" by Lady Victoria Manners (pp. 948-950 in Country Life, June 29, 1929) "The Universities of Oxford & Cambridge: The Radcliffe Observatory Oxford" (pp. 674-680 in Country Life, May 10, 1930) "The Universities of Oxford & Cambridge: II.- The Pepys Library" (pp. 300-308 in Country Life, March 3, 1928) "The Building of St. Paul's--II" by H. Avray Tipping (pp. 262-265 in Country Life, February 25, 1928) "The Universities of Oxford & Cambridge: Magdalene College, Cambridge --I" (pp. 266-276 in Country Life, February 25, 1928) "A Georgian Sculptor Discovered: II. Charles Stanley (1703-61) in Denmark" by Katharine A. Esdaile (pp. 608-611 in Country Life, December 11, 1937) "A Georgian Sculptor Discovered: I. Charles Stanley (1703-1761) and his English Colleagues" by Katharine A. Esdaile (pp. 348-354 in Country Life, October 2, 1937) "The Reverend William Hanbury of Church Langton, Gardener, Educationist, and Visionary" by Mrs. Arundell Esdaile (pp. 562-564 in Country Life, December 3, 1938) "The Musical Glasses" (pp. 606-607 in Country Life, June 11, 1938) "The Actual Face of King Charles I" (p. 991 in The Illustrated London News, "December 3, 1927) "The Recumbent Effigy in English Sculpture" by Katharine A. Esdaile (pp. 17-19 in an unidentified German-language periodical, December 1928) "The Albert Hall, 1871-1931" by Mrs. Esdaile (pp. 439-441 in The Architect & Building News, March 27, 1931) "Battles Royal: The Foreign Office: Some Great Architectural Controversies of the Past" by Mrs. Esdaile (pp. 45-47 in The Architect & Building News, January 13, 1933) "A Little-Known Sculptor" (pp. 276 in The Architect & Building News, February 26, 1932) "Battles Royal: The Foreign Office: Some Great Architectural Controversies of the Past" by Mrs. Esdaile (pp. 47-49 in The Architect & Building News, January 8, 1933) "The Prince of Wales Returns from Spain, 1623" by Mrs. Esdaile (pp. 222-224 in The Connoisseur, 1934) "A Note on the Portrait of Lady Hamilton…" (pp. 183-184 in The Connoisseur, 1929) "London Leaded Steeples. --III" by Lawrence Weaver (pp. 89-97 in the Burlington Magazine, undated) "Coade Stone" by Katharine Esdaile (pp. 112-114 in The Architect & Building News, January 26, 1940) "Coade Stone" by Katharine Esdaile (pp. 94-96 in The Architect & Building News, January 19, 1940) "Croome D'Abitot Church" by Mrs. Arundell Esdaile (pp. 387-392 in The Architect & Building News, June 29, 1934) "Country Notes" (pp. 349-350 in Country Life, March 16, 1929) "A New Portrait of Dr. Johnson" by Augustine Birrell (pp. 267-269 in the Burlington Magazine, undated) "Some Portraits in Relief Here Attributed to Christian Van Vianen" by K.A. Esdaile and "Recent Research" (pp. 22-34 in the Burlington Magazine, January 1940) "Bacon's George III, the River Thames at his feet, at Somerset House" by K.A. Esdaile (p. 168 in the Burlington Magazine, 1939) "A Seventeenth-Century Model of an English Monument" by Katharine A. Esdaile (pp. 195-202 in the Burlington Magazine, 1929) "A Recovered Masterpiece by Roubiliac" by Katharine A. Esdaile (p. 136-140 in the Burlington Magazine, 1925) "Notes on Various Works of Art" [includes "A Bust of Sir William Hamilton by Michael Foye (fl. 1764-77)" by Katharine A. Esdaile] (pp. 81-88 in the Burlington Magazine, undated) "Notes on Various Works of Art" [includes "Michael Foye" by Katharine A. Esdaile] (pp. 237-238 in the Burlington Magazine, 192-) "Some Eighteenth Century Literary Allusions to Chelsea China" by Mrs. Arundell Esdaile (pp. 4-20 in the Burlington Magazine, undated) "On Contorniates" by Katharine Esdaile (pp. 90-100 in the Burlington Magazine, 1909?) "The Early English School of Portraiture" by William A. Shaw (pp. 172-184 in the Burlington Magazine, October 1934) "A Statuette of William III at South Kensington" by Katharine A. Esdaile (pp. 123-124 in the Burlington Magazine, April 1940, with a corrected proof laid in) "Notes on Various Works of Art: Bernini, Rysbrack and Roubiliac" by Katharine A. Esdaile (pp. 93-98 in the Burlington Magazine, February 1924 with handwritten notes laid in) "Roubiliac and Rysbrack" by Katharine A. Esdaile (pp. 197-199 in the Burlington Magazine, April 1923?) "Theory, or The Graphic Muse engraved by Blake after Reynolds" by Katharine A. Esdaile (pp. 113-115 in the Burlington Magazine, 1904) [Unidentified fragment of article with photo captioned "4.--Truth Supporting Colt's Monument of Lord Salisbury at Hatfield Hertfordshire"]

Berthold Auerbach collection

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Diana Wilson Collection of Richard and Maria Cosway Materials

Collection of Published Articles