Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Working files: outgoing correspondence drafts, incoming correspondence from publishers and others including Brenda Iijima, John Keene, Johanna Drucker, Michael Slosek, Heller Levinson, M.C. Kinniburgh, Emji Saint Spero, Diane Ward, Kyle Foley; Theatre of Hearts/Youth First artist-in-residence program; contracts/professional files; Whiting Fellowship introductions for reading between Lucia Hinojosa Gaxiola and Will Alexander; collected job postings; Will Alexander CV; introduction to Tongo Eisen-Martin and Will Alexander reading at City Lights Books; Chinese University of Hong Kong documentation of Will Alexander visit for 15th anniversary celebration of International Poetry Nights in Hong Kong; transcript of Poet Ray'd Yo conversation between Will Alexander and Chris Funkhouser; Internationales Literaturfestival, Berlin documentation; student writing and teaching materials for courses taught by Alexander; teaching materials from Pomona College and others; weekly orientation notes; teaching materials for Coming Mental Range course; readings for teaching packet; interviews with Will Alexander; reviews of Alexander's work.
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Manuscripts
Works and notes: oversize annotated envelope and annotated bags; oversize announcement for Anonymous Stellar Ravines; flyers for various Will Alexander appearances and events; broadside of The Alchemical Androgyne. Inscribed mailing tube for broadside housed in box 27.
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Manuscripts
Mailing tube inscribed to Will Alexander from poets and artists Zoe Brezsny and Mario Miron, orginal housing for Alchemical Androgyne broadside housed in box 20; original pink binder for letters housed in box 28.
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Manuscripts
Statement for Poet Laureate of Los Angeles application; Diary as Sin; correspondence; "California: The Golden Beacon" poems and fragments; reviews by Will Alexander; interviews of Will Alexander; comic art project with Kerry James Marshall, 2010–2012; "On Microbes and Adders"; poetry workshop at San Quentin; Across the Vapour Gulf, early work; Sunrise in Armageddon; On Dar El Hikma.
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Manuscripts
Intuitive Primevals; Mirach Speaks to His Grammatical Transparents; Treason in the Northern Theatre; unpublished materials; The Density Paintings; Sotère Torregian signed poems and correspondence; Brian Lucas: Circles Matter; poems by Roberta Olson, Heller Levinson, and others; Marie Wilson exhibition brochures; Post Fukushima (introduction by Will Alexander); Inalienable Recognitions lecture; marketing report; Pandora's Hatchery.
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Manuscripts
Will Alexander's written works, artwork, and collaborative projects: primarily typescript drafts or copies of typescripts, printed proofs, and handwritten drafts. Many of the typescripts and printed drafts include handwritten notes and corrections. There are several large envelopes and paper bags which Alexander used for handwritten notes. Materials related to the same work may be in different boxes. This series also includes reviews of Alexander's work, reviews by him of others' work, and working files with teaching materials, conference logistics, CVs, and other documentation. Interspersed throughout are Alexander's research materials, usually printouts of articles and information from the internet that influenced and inspired his writing. Boxes 10-12, and most of box 24 consist entirely of research materials. Box 33 consists of works by writers and artists who were friends and collaborators of Alexander, and include several items inscribed to him. Alexander's artwork (box 25 and 26) consists of abstract drawings, primarily pen and ink or colored pencil. Most are either 8.5 x 11 inches or 11 x 14 inches. Drawings are both loose and bound in notebooks, and some are related to his writing. Box 3 also includes a few drawings. There is a small amount of professional correspondence and biographical material also interspersed with the works, which is noted in the individual boxes. Box 5 includes the bulk of the correspondence; box 8 includes Sotère Torregian signed poems and correspondence, and box 21 includes outgoing correspondence drafts as well as incoming correspondence with publishers, colleagues, and collaborators. Some personal correspondence is in box 28.
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