Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Loose illustrations by Will Alexander approximately 8.5 x 11 inches, primarily pen and ink, colored pencil and digital printouts. Also one framed pencil illustration identified as The Alpestrine Vapours.
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Manuscripts
Drafts: Above the Human Nerve Domain proof copy; Across the Vapour Gulf typescript; Anonymous Stellar Ravines printed drafts and emails between Alexander and Byron Baker; At Night on the Sun typescripts; At the Vertigo Borders typescript pages; The Combustion Cycle typescript.
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Manuscripts
Will Alexander's written works, artwork, and collaborative projects: primarily typescript drafts or copies of typescripts, printed proofs, and handwritten drafts. Many of the typescripts and printed drafts include handwritten notes and corrections. There are several large envelopes and paper bags which Alexander used for handwritten notes. Materials related to the same work may be in different boxes. This series also includes reviews of Alexander's work, reviews by him of others' work, and working files with teaching materials, conference logistics, CVs, and other documentation. Interspersed throughout are Alexander's research materials, usually printouts of articles and information from the internet that influenced and inspired his writing. Boxes 10-12, and most of box 24 consist entirely of research materials. Box 33 consists of works by writers and artists who were friends and collaborators of Alexander, and include several items inscribed to him. Alexander's artwork (box 25 and 26) consists of abstract drawings, primarily pen and ink or colored pencil. Most are either 8.5 x 11 inches or 11 x 14 inches. Drawings are both loose and bound in notebooks, and some are related to his writing. Box 3 also includes a few drawings. There is a small amount of professional correspondence and biographical material also interspersed with the works, which is noted in the individual boxes. Box 5 includes the bulk of the correspondence; box 8 includes Sotère Torregian signed poems and correspondence, and box 21 includes outgoing correspondence drafts as well as incoming correspondence with publishers, colleagues, and collaborators. Some personal correspondence is in box 28.
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Manuscripts
Stratospheric Canticles; Taking Issue with Ubiquitous Reduction; "One's Organic Intuition…"; On the Substance of Disorder; "The Dust Pony"; "A Conversation About Light" collaboration with Gaspar Orozco; "The Western World"; Singing in Magnetic Hoofbeat; materials by Heller Levinson and Janice Lee; "The Impossible Dagger" (unpublished); "On Microbes and Adders"; Zomaya and the Myrmidons; random notes; correspondence and ephemera; "Texas Blind Salamander"; "From Alien Weaving"; "The Cryptographic Ocelot"; "Candle from the Black Widow's Love Cake"; Ron Allen's The Ink Blot Theory (edited by Will Alexander); "Enjaracon Sponaeda"; Singing in Magnetic Hoofbeat; Combustion & Leakage, Lightning.
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Manuscripts
Architectural drawings and site plans: 11 x 17 inches.
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