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Arzner residence, Hollywood, Calif


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    Galli-Curci residence, Westwood, Calif

    Visual Materials

    Contains nine photographs depicting patio, gates, and various garden features, including eight gelatin silver photographs by George D. Haight and one snapshot. Also includes one later print of the plan for the Galli-Curci's winter home and a hand-lettered portfolio.

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    Charnley residence, San Marino, Calif

    Visual Materials

    Contains seven gelatin silver prints depicting gardens and exteriors, including three by D. Brown, three by George D. Haight, and one by an unidentified photographer; also includes hand-lettered portfolio and later print of garden development plan.

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    Jefferson residence, Montecito, Calif

    Visual Materials

    Contains three gelatin silver prints and seven snapshots by unidentified photographers, plus hand-lettered portfolio and one photocopy of Reginald Johnson's general plan for the estate.

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    Jackson residence (Rancho San Carlos), Montecito, Calif

    Visual Materials

    Contains 31 photographs depicting exterior views of landscaping and grounds, including five gelatin silver prints by George D. Haight; one gelatin silver print by Pierre Photo; and 26 snapshots. Also includes one later print of a proposed design for pebble paving; a photocopy of a two-page typed cost list for 1931-1933; and a hand-lettered portfolio.

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    Sturgis residence, Pasadena, Calif

    Visual Materials

    Box 24, Folder 9 contains one snapshot; five gelatin silver prints, two by William E. Clarke and one by Hiller; and two later prints, one depicting the garden and its features and one a reproduction of Yoch and Council's design for the grounds. Box 24, Folder 10 contains 16 photographs, including eight gelatin silver prints mounted on cardstock and signed by William M. Clarke and eight snapshots. Also includes hand-lettered portfolios.

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    Hodges residence (Hodges-Sapp), Pasadena, Calif

    Visual Materials

    Contains three gelatin silver prints depicting walkways and garden views, including one by Hiller and two by unidentified photographers; also includes a hand-lettered portfolio. The photograph by Hiller has pencil sketches on the back.

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