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Visual Materials

B. Correspondence


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    Articles and tear sheets

    Visual Materials

    Contains clippings and tear sheets, most illustrated with photographs, about Yoch and Council's work from publications including The House Beautiful (1927, 1930); Arts & Decoration (1928); House & Garden (1928); Western Florist and Nurseryman (1930); California Arts & Architecture (1927, 1930, 1931, 1937); American Home (1937); Los Angeles Times Magazine (1950); and Sunset (1951). Also includes bibliography of articles featuring Yoch and Council's work, and two unidentified clippings, one of a home and one of a redwood plant box and fence.

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    Research on Yoch and Council office records

    Visual Materials

    Includes photocopies of Yoch and Council's office account book and notebooks, along with photocopied sketches from these that appeared in Landscaping the American Dream: The Gardens and Film Sets of Florence Yoch, 1890-1972

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    Asche residence, Pasadena, Calif

    Visual Materials

    Includes photocopies of a planting plan and of two pages from a California Arts and Architecture magazine piece on Yoch and Council's landscape design for the residence (April, 1939).

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    Correspondence, photographs, and sketches

    Visual Materials

    Folder 1 contains photocopies of 24 pages of correspondence, an agreement, two snapshots, one publicity photograph, and three later prints of sketches documenting Yoch and Council's work on The Garden of Allah. The correspondence includes handwritten letters from Yoch to George Cukor and David O. Selznick written from Algeria and Rome and a letter from Selznick to J. J. Cohn urging that they engage Yoch for this project because "the landscaping must be simply magnificent, as so much of the story depends on the beauty of the garden." Folder 2 contains materials documenting work on Gone with the Wind, including a construction estimate, set list, three photographs, and one drawing. Folder 3 contains three publicity photographs for The Good Earth and Folder 4 a publicity photograph for How Green Was My Valley. Folder 5 contains 20 photographs depicting design work for Romeo and Juliet.

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    Projects and subjects Kaufmann - Florence Yoch account book

    Visual Materials

    Projects and subjects depicted in Box 56A include Kaufmann, Louther Adobe, Millar, Minor, Kellogg, Morse, Murphy, Nuttal: Casa Alvarado, O'Melveny, Orange County Park, Oswald, Park, Pasadena Public Library, Perin, Pitcairn, Romeo and Juliet, Florence Yoch Sampler, Schultz, Selznick, Shipton Court, Shoshone Falls, Slemons, Smith, Stanton, and Sturgis. Slides in Box 56B include Sturgis, Taylor, Florence Yoch: Tara, Tiles and Rocks, Unitarian Church, Valentine, Van de Kamp, von Hasseln, and Vroman's. The slides in Box 56C depict various aspects of the Warner estate and Yoch and Council's projects there, and those in Box 56D continue with slides depicting the Warner estate, along with the projects Wilshire Country Club, Women's Athletic Club, and Frank Work house. Box 56D also contains slides depicting Yoch and Council's residences in Carmel and San Marino, California (the latter on Roanoke Road) and Florence Yoch's travel photographs and sketches. Slides in Box 56E depict Florence Yoch's travel sketches; account book; the "black album" (garden instructions); Yoch and Council; Yoch's parents; Santa Ana; Laguna Beach; Florence Yoch's notes; Jackson Ranch; and Il Brolino. Box 56F contains slides depicting Il Brolino and Yoch and Council's office account book.

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    Residences and other

    Visual Materials

    Contains 84 photographs and three prints of plans, chiefly depicting gardens and interior and exterior views of Yoch and Council's residences in Carmel, Pasadena, and San Marino, California; photographers include George D. Haight, George de Gennaro, and William Aplin. Also includes five undated snapshots, labeled "Arbor Road" by James Yoch; it is unclear whether Yoch and Council resided there.

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