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    Harvard Heights Neighborhood

    Visual Materials

    Contains files reflecting Weil's work to support the creation of a Historic Protection Overlay Zone (HPOZ) for Harvard Heights, including historic documentation and notes on individual streets. Also includes maps, notes from a tour of homes given by Weil in 1988 (Folder 33), and some correspondence, including letters of thanks to Weil from the Getty Conservation Institute (Folder 37) and the Santa Monica Heritage Square Museum Society (Folder 38).

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    Writings and Related Research

    Visual Materials

    This collection contains the personal and professional papers of architect Martin Eli Weil (1940-2009), relating to Weil's work as a restoration architect and consultant in Los Angeles and Southern California. The collection contains correspondence; project and business records; reports; contracts; notes and research files; appointment books; drawings, including approximately 2920 rolled drawings; approximately 5000 photographs, chiefly snapshots depicting work in progress; material samples, including approximately 2000 fragments of wood or other surfaces containing paint samples; and 46 media files documenting the career of Martin Eli Weil; the materials date from 1964 until 2009. Files document 428 individual projects, including Frank Lloyd Wright structures such as Barnsdall Park and Hollyhock House; the restoration of the El Capitan Theater; and jobs undertaken as a consultant for the cities of San Gabriel, La Verne, Porterville, and Monrovia, California. The collection also includes papers reflecting Weil's service as Restoration Services Director for the Restoration Services Division of the Department of Indian and Northern Affairs in Canada from 1971-1978; his work as an instructor in historic preservation at the University of Southern California from 1981-2009; his writing, chiefly as an architecture columnist for the Larchmont Chronicle; his involvement with the Harvard Heights community in Los Angeles, where he lived; and his Master's thesis project.

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    Restoration Services Division and other Canadian reports

    Visual Materials

    Six reports published by agencies in Ottawa, Canada, including the Restoration Services Division, Department of Indian and Northern Affairs; Heritage Ottawa; and the Architectural Inventory Group. Two of the Restoration Services Division reports, "Fish Cache, Fort St. James National Historic Park, Architectural Feasibility Study" (1973) (Folder 1) and "1708 Powder Magazine. Fort Anne National Historic Park, Annapolis Royal, N.S., Restoration Feasibility Study" (1974) (Folder 3), list Weil as co-author. Also includes an offprint of an article, "A Canadian Perspective on Legislation and the Role of the Private sector in Archaeology," originally published in Historical Archaeology, Volume 12, 1978.

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    Awards

    Visual Materials

    Contains a 1997 City of Los Angeles Historic Preservation Award of Excellence for Weil's work on the El Capitan Theater and Office Building and a plaque by the Society for the Study of Architecture in Canada celebrating "Forty Years of Gratitude to Our Founder, Martin Eli Weil." The provenance of the plaque is unknown; presumably, it was presented to Weil in or before 2009.

    archWeil

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    Scrapbook and curricula vitae

    Visual Materials

    Scrapbook contains clippings of Weil's life and work from the mid-1980s until the end of the 1990s, plus a bibliography of his writings from 1977-1996. The box also contains a folder with several versions of Weil's curriculum vitae dating approximately 2006-2008, and a copy of his business card, printed from digital files.

    archWeil

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    Martin Eli Weil papers

    Visual Materials

    The collection contains correspondence; project and business records; reports; contracts; notes and research files; appointment books; drawings, including approximately 2920 rolled drawings; approximately 5000 photographs, chiefly snapshots depicting work in progress; material samples, including approximately 2000 fragments of wood or other surfaces containing paint samples; and 46 media files documenting the career of Martin Eli Weil. The materials date from 1964 until 2009, the year of Weil's death, with the bulk of the material relating to 428 projects on which Weil worked as a restoration architect and consultant from the time he arrived in Southern California in 1979 until 2008; some of these projects were undertaken as part of larger projects, such as jobs Weil performed while under contract to various municipalities. Of the 428 projects, 406 were included in Weil's project records, found in his filing cabinets; 22 projects are represented in the collection only by either photographs, drawings, or materials samples (objects), without any other project documentation. Rolled drawings comprise both original drawings by Weil and reprographic copies of drawings by original and prior restoration architects that Weil used in his work. The collection documents the wide range of work Weil performed, comprising historic structures reports, microscopic paint analysis, tax act and historic landmark certification, environmental impact and seismic structures analysis, and other restoration and rehabilitation work on structures. Major projects represented include Hollyhock House and other Frank Lloyd Wright buildings in Barnsdall Park as well as Storer House; the El Capitan Theater and Bullock's Department Store in Pasadena; residences including David O. Selznick's home (Joelson Residence); and work Weil undertook as a consultant for the cities of La Verne, San Gabriel, Porterville, and Monrovia, California. Also included are papers reflecting Weil's work as the Restoration Services Director for the Restoration Services Division of the Department of Indian and Northern Affairs in Canada from 1971-1978; research and teaching materials from his work as a faculty member at the University of Southern California from 1981-2009; documentation of Weil's writings, chiefly as a columnist for the Larchmont Chronicle; correspondence, writings, and research files relating to Weil's community involvement, chiefly his work to support creation of a Historic Protection Overlay Zone in Harvard Heights; and 68 drawings from his Master's thesis project. The materials in the collection are grouped into series designated by the archivist as suggested in the Standard Series for Architecture and Design Records: A Tool for the Arrangement and Description of Archival Collections, developed by Kelcy Shepherd and Waverly Lowell (2010).

    archWeil