Visual Materials
Gamble Family Photographs (lantern slides)
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Gamble Family Papers, Records, and Photographs
Visual Materials
Box 178 contains photographs of the Gamble family houses in Cincinnati and summer cottage in Harbor Point, Michigan, their children Cecil, Sidney and Clarence, grandchildren, parents and siblings of David and Mary, family employees, as well as personal correspondence, genealogical information, biographies, and obituaries. Boxes 179 and 180 contain financial records from the 1950s and records of some of the family's philanthropic efforts, mostly related to missionary activities of the Presbyterian Church in Asia. Boxes 181-182 contain books that belonged to the family, including Pedigree of the Gambles of Fermanagh (1899) and Alfred Lief's "It Floats": The Story of Procter and Gamble (1958). Box 183 contains books by and about Sidney Gamble. Box 184 contains lantern slides of early family photographs, taken mostly in Harbor Point; Box 185 contains glass plate negatives, some of same images as in the lantern slides. Box 186 contains art prints and reproductions given by the Gamble family with the house. Box 187 contains a diary kept by Mary Gamble of the early childhood of her first-born son, Cecil. See also Boxes 86-87 which contain photograph albums by Sidney Gamble, including early photographs of the Gamble House.
Subseries B.
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Gamble Family Photographs, Biographical and Genealogical Records
Visual Materials
The Greene and Greene Collection contains a wide variety of materials, from Greene and Greene ancestor, architect/engineer James Sumner's "Memo of the Timber wanted for the Steeple in Providence," dated 1775, and a diary of a European grand tour from 1829 to 1931 by an English ancestor of Charles Greene's wife, Alice, to drawings and photographs of Greene and Greene works from the time of construction through the close of the 20th century. The bulk of the collection dates from 1889 to 1975. Photographs comprise most of the records documenting their architecture. There is a small number of architectural drawings; most of the firm's drawings are housed at the Avery Architectural and Fine Arts Library at Columbia University, New York City, with a smaller collection of drawings from the estate of Charles Greene at the Environmental Design Archives, University of California, Berkeley. The collection is organized into four series: I. Personal papers, II. Office records, III. Job (project) records (including furniture), and IV. Related research materials. In general, the papers and records of both brothers have been kept together for the periods in which they were living together as students and young men, and for the period when they were partners in the firm of Greene and Greene. Within each series, the organization follows the separate lives and works of each brother from the dates at which they diverge. Although the collection has been assembled from many different sources, most items have a unique accession number identifying the donor, so that the researcher can easily identify the source of most documents.
archGreene
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Gamble Family Photographs (glass plate negatives), Harbor Point
Visual Materials
The Greene and Greene Collection contains a wide variety of materials, from Greene and Greene ancestor, architect/engineer James Sumner's "Memo of the Timber wanted for the Steeple in Providence," dated 1775, and a diary of a European grand tour from 1829 to 1931 by an English ancestor of Charles Greene's wife, Alice, to drawings and photographs of Greene and Greene works from the time of construction through the close of the 20th century. The bulk of the collection dates from 1889 to 1975. Photographs comprise most of the records documenting their architecture. There is a small number of architectural drawings; most of the firm's drawings are housed at the Avery Architectural and Fine Arts Library at Columbia University, New York City, with a smaller collection of drawings from the estate of Charles Greene at the Environmental Design Archives, University of California, Berkeley. The collection is organized into four series: I. Personal papers, II. Office records, III. Job (project) records (including furniture), and IV. Related research materials. In general, the papers and records of both brothers have been kept together for the periods in which they were living together as students and young men, and for the period when they were partners in the firm of Greene and Greene. Within each series, the organization follows the separate lives and works of each brother from the dates at which they diverge. Although the collection has been assembled from many different sources, most items have a unique accession number identifying the donor, so that the researcher can easily identify the source of most documents.
archGreene
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Lou K. Ross Lantern Slide Collection of Southern California Missions
Visual Materials
This collection includes lantern slides of eleven California missions, all of which are portrayed through artists' renderings or through photographs. The missions are shown in states of past affluence and of then present disrepair. The slides are meant to accompany a slideshow lecture given by Mrs. Lou K. Ross to educate Los Angeles club groups about the condition of the missions in the 1920s The lantern slides in this collection depict both photographs and artistic renderings of some California missions in various constructional states. The missions that are shown on the slides include San Carlos Borroméo de Carmelo, San Gabriel Arcángel, San Juan Capistrano, San Miguel Arcángel, San Buenaventura, San Diego de Alcalá, San Fernando Rey, San Juan Bautista, San Luis Rey, San Rafael Arcángel, and Santa Barbara. Scenes of the missions portray their ruins, restoration, interiors, and artistic imaginings of mission life in the 18th and 19th centuries. The slides also show Indian women with baskets, the secularization of the missions, Dana Point, cactus plants, memorials, Los Angeles, a drive-in market, the California coast, a date palm, an olive press, Father Junípero Serra, and Eulalia Pérez de Guillén. "Missions and Romance of Southern California," a typescript lecture written by Mrs. Lou K. Ross in 1929, is included in the information file for this collection. The lecture was designed to educate Los Angeles club groups on the condition of the California missions at the time; it also notes which lantern slides correspond to certain points in the lecture.
photCL 516
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Leonard J. Rose Family Photograph Collection
Visual Materials
The collection consists of 152 photographs of the family of Leonard John Rose (1827-1899); the Rose family ranch and vineyard, "Sunny Slope," in San Gabriel, California; residences; and horses owned by the Rose family, chiefly dating from the late 19th century. An earlier archivist divided the collection into "volumes" 1 and 2, though the photographs in "volume 1" are loose. Only volume 2, Items 1-35, are bound in an album. The prints range from late 19th-century cabinet cards to copy prints of 19th century photographs. The latest photographs are two 1979 color snapshots of Mrs. John Gallagher, and among the earliest images is a reproduction of a portrait of L. J. and Amanda Rose on their wedding day, ca. 1850 (Volume 2, Item 7). Many of the photographs are cabinet card studio portraits of family members, especially the children of L.J. and Amanda Rose, including Nina Rose Wachtel (and her husband John V. Wachtel), Guy Rose, Mabel Rose Dixon, Maud Rose Easton. Many of the card photographs have imprints of Los Angeles photography studios including Steckel & Lamson and T.G. Schumacher. Among the photographs of the Sunny Slope Farm are stereographs by W.M. Godfrey (Volume 1, Items 13a and 14-14a) and stereographs and unmounted prints by Carleton Watkins (Album 1, Items 17-29 and 75 and 76). Notably, there are three photographs of interiors of the Rose residence on Grand Avenue in Los Angeles, which include displays of the types of card photographs included in this collection (see Volume 1, Items 48 and 50, and Volume 2, Item 49).
photCL 156
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Copy photograph of a three-story building with hanging lanterns
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
photCL 624