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Cromwell and Washington : a contrast
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Anthropology ... The substance of four lectures delivered at the Hall of Science, London
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409556
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Contrasts
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
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Contrastes
Visual Materials
The William H. Helfand Collection contains more than 7,000 European and American prints and ephemera relating to health professions including medical, dental, and mental wellness. The materials date from the 1490s to the early 21st century and contain many social and political cartoons that satirize health practices and practitioners. Noted illustrators represented include French artists Honore Daumier, Gustave Dore, J. J. Grandville, and Emile Vernier; British caricaturists Thomas Rowlandson, George Cruikshank, and James Gillray; and the American cartoonist Thomas Nast.
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