Rare Books
[Yosemite valley views] [picture]
Image not available
You might also be interested in
Image not available
Yosemite Valley
Visual Materials
The B.D. Jackson Collection of Negatives and Photographs consists of 804 4 x 5 in. and 8 x 10 in. glass plate negatives, 1782 film negatives (including stereo negatives), 2302 black and white photographs (including stereos, postcards, and photograph albums), and related manuscript and ephemeral materials, 1903-1950s (bulk 1920s-1930s), that provide a visual history of the growth of many of the San Gabriel Valley's suburban communities, a survey of many of California's (and the western United States') notable landscapes, and an overview of Jackson's career as a landscape and scenic view photographer.
photCL 332
Image not available
Stereoscopic views of Yosemite Valley, California
Visual Materials
Stereograph views of waterfalls and mountains in Yosemite Valley, California, from the series "Glories of the Yosemite, California," published by E. & H. T. Anthony & Co., including the following titles: Apex of the Three Brothers (#53); From the Top of Vernal Falls. Glacier's Point, 3705 ft. high, in the distance (#54); Sentinel Rock, 3270 feet high. From Mariposa Trail (#59); View on the Merced. Hutchings' Hotel and Bridge. Sentinel Rock in the distance (#63); View at the foot of Bridal Veil Falls (#70); The Three Graces, 3750 ft. high (#72); Cap of Liberty, 4240 ft. high (#87); West Mountain (#105); Eagle Cliff (#106); Leydig's Hotel (#117); Yosemite Falls, 2634 ft. high (#147); Mt. Watkins. From Cloud's Rest. Little Yosemite Valley (#183).
photST Anthony
Image not available
[Scenic views in Yosemite Valley, Ca.]
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
Image not available
[View of Yosemite from the valley floor
Visual Materials
The Huntington Library's Collection of Panoramic Photographs, 1851 to 2014, depicts a wide variety of subjects and provides an important resource for the visual history of the United States, with a particular emphasis on California and the American West. Subjects include landscapes, group portraits, and miscellaneous views. The collection also contains photographs by some of the better known photographers and photographic firms of the first part of the twentieth century. Photographers and publishers represented in the collection include Charles Z. Bailey; Bailey and Ramsey; Bryant Studio; Bunnell Photo Shop; California Panorama Company; Bell Clements; Fay Foto Service; R.J. Gallagher; George. R. Lawrence Company; J.D. Givens; Gordon Panoramic Photo Company; Griffith Photo; Harris Photographic Company; Karen Halverson; George W. Hazard; L.M. Hermance; Hiller; Hughes Photos; William Henry Jackson; I.L. Maduro; Mayhart Studio; C.R. Nock; Panorama Publishing Company; Pettit's Studio; Photo News Service; C.C. Pierce; A.C. Pillsbury; Pillsbury Picture Company; Prince Photo; G.H. Rice; H.H. Rideout; Sanford and Black Photo News Service; Thompson; O.A. Tunnell; H.A. Varble; Miles F. Weaver; and West Coast Art Company. Notable in the collection is a contemporary four-plate ambrotype in a frame; it is a panoramic view of the Los Angeles River, 2014, by Michael Kolster (photPAN 147).
photPAN
Yosemite Valley. Views from the Sentinel Dome. Watkins Yosemite
Visual Materials
photST Watkins (1146)
Image not available
Yosemite Valley. Views from the Sentinel Dome. Watkins Yosemite
Visual Materials
This collection contains 269 stereographs by photographer Carleton E. Watkins, dating from the 1860s to about the 1880s, that chiefly depict buildings, points of interest, and locales in Northern and Southern California. The collection includes 1 stereograph from the Central Pacific Railroad series; 5 stereographs from Watkins' Pacific Railroad Series; 110 stereographs from Watkins' Pacific Coast series; and 150 stereographs from Watkins' New Series. The Watkins' Pacific Coast Series, created between 1861 and 1874, primarily depict locales in Northern California with many images of buildings in San Francisco, views of Yosemite and Mariposa County, Missions, and some mining operations including photographs of the North Bloomfield Gravel Mining Company in Nevada County, California. The Watkins' New Series stereographs, created between 1874 and 1890, consist of images of both Southern California and Northern California, in cities including San Francisco, Pasadena, San Marino, Sierra Madre, and San Gabriel. Among the Southern California residences and properties depicted include the Sunny Slope Ranch of L.J. Rose in San Gabriel, Willow Dale owned by N.C. Carter, and Lake Vineyard owned by B.D. Wilson. Some of the stereographs in Watkins' Pacific Coast Series include titles in the margins in Watkins' own hand (see Nos. 1033, 1135, 1146, 1153, and 1721).
photST Watkins