Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Souvenir of the Tournament of Roses, Pasadena, California
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
A group portrait of four women and what appears to be two men in wigs and stockings (on either end), dressed for the Rose Parade. Two women hold tennis rackets.
photCL_555_05_140
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Manuscripts
The Hong family papers were organized into six series with sets of subseries. 1) You Chung Hong series (Business, Chinatown, Chinese American Citizens Alliance, education, legal, personal, and political activities). 2) Mabel Hong series (Education, personal, and community activities). 3) Nowland C. Hong series (Chinese American Citizens Alliance, personal, and political activities). 4) Roger S. Hong series (Business, Chinatown, education, personal, and community activities). 5) Ephemera series. 6) Oversize Series. The Hong family papers were organized into six series with sets of subseries. 1) You Chung Hong series (Business, Chinatown, Chinese American Citizens Alliance, education, legal, personal, and political activities). 2) Mabel Hong series (Education, personal, and community activities). 3) Nowland C. Hong series (Chinese American Citizens Alliance, personal, and political activities). 4) Roger S. Hong series (Business, Chinatown, education, personal, and community activities). 5) Ephemera series. 6) Oversize Series. The Hong family photos were organized into five series with sets of subseries. 1) You Chung Hong photo series (Photographic and textual files). 2) Mabel Hong photo series (Photographic and textual files). 3) Nowland C. Hong photo series (Photographic and textual files). 4) Roger S. Hong photo series (Photographic and textual files). 5) Oversize photo series.
mssHong Family papers
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Manuscripts
The Hong family papers were organized into six series with sets of subseries. 1) You Chung Hong series (Business, Chinatown, Chinese American Citizens Alliance, education, legal, personal, and political activities). 2) Mabel Hong series (Education, personal, and community activities). 3) Nowland C. Hong series (Chinese American Citizens Alliance, personal, and political activities). 4) Roger S. Hong series (Business, Chinatown, education, personal, and community activities). 5) Ephemera series. 6) Oversize Series. The Hong family papers were organized into six series with sets of subseries. 1) You Chung Hong series (Business, Chinatown, Chinese American Citizens Alliance, education, legal, personal, and political activities). 2) Mabel Hong series (Education, personal, and community activities). 3) Nowland C. Hong series (Chinese American Citizens Alliance, personal, and political activities). 4) Roger S. Hong series (Business, Chinatown, education, personal, and community activities). 5) Ephemera series. 6) Oversize Series. The Hong family photos were organized into five series with sets of subseries. 1) You Chung Hong photo series (Photographic and textual files). 2) Mabel Hong photo series (Photographic and textual files). 3) Nowland C. Hong photo series (Photographic and textual files). 4) Roger S. Hong photo series (Photographic and textual files). 5) Oversize photo series.
mssHong Family papers
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Visual Materials
The J. Allen Hawkins Studio Collection of Negatives consists of 3027 negatives and 3607 prints (both vintage prints and copy prints), 1924-1972, that depict commercial sites, residences, and other subjects in and around Pasadena and the San Gabriel Valley in Southern California. The images provide a look at the commercial, residential, social, and cultural development of Pasadena and surrounding areas during the middle years of the twentieth century. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century. Some of the early photographs may be attributable to Harold A. Parker.
photCL 330
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Visual Materials
The collection consists of 3511 photographs, negatives and ephemeral items circa 1850s-1982 covering a wide breadth of subject matter. The collection includes images of Los Angeles streets and city views; neighborhoods (including Olvera Street, the Plaza, and Chinatown); Los Angeles office buildings and blocks, municipal buildings and facilities (including city halls, court houses, federal buildings, and postal facilities); Los Angeles County communities (including Culver City; Beverly Hills; Watts; Compton; the Hollywood/Cahuenga area; Mt. Washington; Redondo Beach; Hermosa Beach; Venice Beach; Santa Monica; San Pedro; Wilmington; Long Beach; Burbank; Glendale and the San Fernando Valley; Pasadena and the San Gabriel Valley; Avalon and Santa Catalina Island); San Gabriel and San Bernardino Mountains; San Diego, Orange, Riverside, San Bernardino, and San Francisco Counties; Los Angeles County homes, residential buildings, and gardens; Los Angeles parks; Los Angeles, Orange, and Riverside County schools, colleges and universities; Los Angeles County churches and synagogues; Los Angeles area country clubs; hotels and theaters in Los Angeles, Riverside, San Diego, San Bernardino Counties, and the city of San Francisco; and Los Angeles County department stores, newspaper buildings, storefronts, and restaurants. General subjects represented in the collections include industry and manufacturing (including iron and steelworks; brick and terracotta; the motion picture industry; and the clothing trade); agriculture; mining and other extractive industries; infrastructure (including dams and roads, and photographs taken for Caltrans documenting the construction of the Pasadena Freeway, also known as the Arroyo Seco Historic Parkway); water and power (including photographs depicting the irrigation of the San Fernando Valley in the 1910s); transportation; sports and leisure activities (including images depicting the 1932 Olympics in Los Angeles); fairs and expositions (including trade and industrial fairs; the Panama Pacific Exposition; the California Pacific International Exposition; the Lewis and Clark Centennial Exposition; and the Alaska-Yukon-Pacific Exposition); fiestas and parades (including the Fiesta de Los Angeles, the Fiesta de las Flores, and the Pasadena Tournament of Roses), circuses and circus wagons; missions in California, the Southwest United States, and Mexico; and California adobes and ranchos. Miscellaneous images include national and state parks; the California Gold Rush and mining towns; the armed forces in California; native and indigenous culture; local flora, including trees; unidentified people; unidentified scenery; documents; maps; and a small grouping of ephemera pertaining to the Wilshire Boulevard Miracle Mile. The collection includes photographs produced by 141 identified photographic studios, photographers, and publishers including Blanchard; Cromwell and Westervelt; Frasher's Studio; Garden City Foto; Harold W. Grieve, T.E. Hecht; William Henry Hill; Keystone Photo Service; Luckhaus; Charles F. Lummis; F.H. Maude; Harold Parker; Putnam Studios; F.H. Rogers; Julius Shulman; Spence Airplane Photos; Stagg; A. Sturtevant; Carleton Watkins; and "Dick" Whittington Studio. There are also photographs made by or for companies including American Trona Corporation; Douglas Aircraft; Estelle Mines Corporation; Metro-Goldwyn-Mayer; Paramount Pictures; Selznick International Pictures; Studebaker Corporation; Union Pacific Railroad; and United Artists. Images produced and compiled by the Federal Writers' Project Southern and Northern California branches include photographs by Viroque Baker, Horace Bristol, Burton Burt, Fred William Carter, Fred R. Dapprich, Luckhaus Studios, Julius Shulman, and Art Streib.
photCL 400 volume 1