Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
New Mexico. : Pointers for pilgrims to the land of golden opportunities
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
The C.C. Pierce collection constitutes one of the most important collections of historical photographs of early California and Los Angeles extant. The collection of 10,100 prints was assembled by Charles C. Pierce, a photographer and long-time operator of a thriving Los Angeles photographic business. The collection is divided into nine topical headings devised by Pierce; these include Los Angeles Historical; Indians; Missions; California cities, counties, etc.; Industries and Agriculture; Transportation; Natural History; Art and Architecture; and Miscellaneous Scenery. Within these large sections are smaller categories that focus on the history, landscape, people, civic and cultural events, built environment, and development of Southern California and the Southwest from approximately 1845-1930. Of particular interest are the various Indian tribes depicted as well as all twenty-one of the California Missions.
photCL Pierce
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Manuscripts
The collection consists of letters and documents (including 8 volumes) and 876 maps related to irrigation projects in the western United States. There are correspondence, reports, etc. regarding Colorado River projects (including the Colorado River-Los Angeles Gravity Flow Aqueduct); the Klamath Lake Project in Oregon; the Merced Irrigation District in California; the San Juan River, Little Colorado, and Verde projects in Arizona; and many others. Of note in the collection are diaries of La Rue's Colorado River trips from 1921, 1922, and 1924, and maps of western areas.
mssLa Rue papers
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Rare Books
73716
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Visual Materials
The C.C. Pierce collection constitutes one of the most important collections of historical photographs of early California and Los Angeles extant. The collection of 10,100 prints was assembled by Charles C. Pierce, a photographer and long-time operator of a thriving Los Angeles photographic business. The collection is divided into nine topical headings devised by Pierce; these include Los Angeles Historical; Indians; Missions; California cities, counties, etc.; Industries and Agriculture; Transportation; Natural History; Art and Architecture; and Miscellaneous Scenery. Within these large sections are smaller categories that focus on the history, landscape, people, civic and cultural events, built environment, and development of Southern California and the Southwest from approximately 1845-1930. Of particular interest are the various Indian tribes depicted as well as all twenty-one of the California Missions.
photCL Pierce
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Visual Materials
Photographs made by Adam Clark Vroman, ca. 1892-1909, spanning various subjects, primarily his bookstore in Pasadena, California, and scenes from his travels. Of particular significance is Vroman's handwritten journal of a trip to see the Snake Dance at Walpi, Arizona, in 1895, written sequentially on the back of 19 mounted photographs. Vroman's traveling companions were Horatio N. Rust, Mrs. Thaddeus (Leontine) Lowe, and Charles J. Crandall, who are shown, along with Vroman, at pueblos, and traveling with supplies and wagons. There are also views of the Grand Canyon and the Petrified Forest. The California images include scenery and travelers in the San Gabriel Mountains, Mount Wilson, Mount Lowe and the Alpine Tavern, and travelers having a picnic; details of missions; historic adobes of Monterey; Rancho Guajome Adobe in San Diego County; Yosemite and one view of Indians living in Yosemite Valley. Locations depicted in other parts of the United States are: Manitou, Colorado; Oregon, Illinois; Niagara Falls; Grant's Tomb; a bird's-eye-view of Santa Fe, New Mexico; and other miscellaneous views. Vroman travelled to Japan in 1903 and 1909, and eight prints in the collection show Japanese men and women in traditional dress, as well as details of architecture. Vroman appears in a few photographs. There are several portraits of Pueblo Indian men, some identified in Vroman's captions.
photCL 86