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Looney tunes and merrie melodies comics
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The countryman's garland in two parts. To a merry new tune
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ESTC T34267 ; "Part I. Country John's unfortunate ramble to London or, the tricks of a town jilt" begins with "You young men that down in the country dwell,". ; In four columns with the title and two woodcuts above the first two and a woodcut near the foot of the third the columns are not separated by rules.
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The countryman's garland in two parts. To a merry new tune
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ESTC T195369 ; Publication date range from Bodleian Library ballads database. ; "Part I. Country John's unfortunate ramble to London or, the tricks of a town jilt" begins with "You young men that down in the country dwell,". ; In four columns with the title and woodcuts over the first two and a woodcut near the foot of the third the columns are not separated by rules.
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Tunes You can Hum -- Comic Section
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487