Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
An introduction to the language of drawing and painting. V. 1, The painter's terms
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
One painting book entitled Ideal Paint-Box-Book, with Easy Drawing Lessons for Young Painters, published by the Ideal Book Builders, Publishers, Chicago, Illinois, ca. 1907. This book-length painting book contains watercolors, a small palette and paintbrush, all of which folds into a box on the inside front cover. Unnumbered pages of both chromolithograph and lithograph images for coloring comprise the rest of the book. Text in the form of rhymes and poetry accompany most images. The front cover is a chromolithograph image of a boy and a girl painting with two such painting books. Within the body of illustrations, there are several containing racial slurs. The last page is a publisher's advertisement for these and similar painting books. Many of the lithograph images have been colored in with the paints provided. "Patented in United States, Nov. 12, 1907" and "Patented in Great Britain, Dec. 10, 1907" are printed at the bottom of the front cover.
ephKAEE
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Rare Books
278966
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Rare Books
656876
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Rare Books
Publisher: Painted Bride Quarterly (Philadelphia, Pa.) Related Content: "my comrades" ; "warts" (p. 26, poems) Note: "(1974)" written in ms. in upper right corner of cover p. [1]. Related Content Author: Charles Bukowski
602815
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Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile