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The form of the electocardiogram. I-IV
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Origins & Displacements I - IV
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A portfolio of eight albumen photographic prints (16 x 20 inches; mounts 20 x 24 inches) by William Camargo. The title page contains an artist's statement and the following edition information: "A suite of eight albumen prints arranged in four diptychs in an edition of five, with one artist's proof, one printer's proof, and one bat [bon à tirer proof]. Published by The f/0 Project, printed by Barret Oliver, 2002." Four photographs are from Camargo's long-term series called Origins & Displacements: Making Sense of Place, Histories & Possibilities, which includes still lifes from around his hometown of Anaheim, California. Along with those works are four self-portraits of Camargo holding signs with statements that reference gentrification, immigration, labor issues, police brutality, and histories of violence experienced by Mexican, Chicanx, and Latinx people in Southern California.
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Acts I-IV: typewritten
Manuscripts
The collection is comprised of the work of American novelist F. Marion Crawford; included are novels, plays, a poem, historical works, a lecture, and articles. The majority of the works are autograph, with Crawford's corrections and insertions. The collection covers the years 1883-1908, and includes such topics as the Gilded Age in New York City and the history of Rome.
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![[Doctrinale (Partes I-IV)]](/_next/image?url=https%3A%2F%2Frail.huntington.org%2FIIIF3%2FImage%2F22APN4M0MHZL%2Ffull%2F%5E360%2C%2F0%2Fdefault.jpg&w=750&q=75)
[Doctrinale (Partes I-IV)]
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A fragment, leaf 17 only, from Alexander de Villa Dei's Doctrinale. Printed on vellum. 32-line edition GW lists extent of complete publication as "[42?] leaves".. Initial and rubrication in red. Binding: limp vellum.
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