Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
In a Chinese garden : the art & architecture of the Dr. Sun Yat-Sen Classical Chinese Garden
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
The Hong family papers were organized into six series with sets of subseries. 1) You Chung Hong series (Business, Chinatown, Chinese American Citizens Alliance, education, legal, personal, and political activities). 2) Mabel Hong series (Education, personal, and community activities). 3) Nowland C. Hong series (Chinese American Citizens Alliance, personal, and political activities). 4) Roger S. Hong series (Business, Chinatown, education, personal, and community activities). 5) Ephemera series. 6) Oversize Series. The Hong family papers were organized into six series with sets of subseries. 1) You Chung Hong series (Business, Chinatown, Chinese American Citizens Alliance, education, legal, personal, and political activities). 2) Mabel Hong series (Education, personal, and community activities). 3) Nowland C. Hong series (Chinese American Citizens Alliance, personal, and political activities). 4) Roger S. Hong series (Business, Chinatown, education, personal, and community activities). 5) Ephemera series. 6) Oversize Series. The Hong family photos were organized into five series with sets of subseries. 1) You Chung Hong photo series (Photographic and textual files). 2) Mabel Hong photo series (Photographic and textual files). 3) Nowland C. Hong photo series (Photographic and textual files). 4) Roger S. Hong photo series (Photographic and textual files). 5) Oversize photo series.
mssHong Family papers
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Rare Books
An examination of the influence of Chinese design on the modern interior, this study includes an overview of the history, philosophy and symbolism of Chinese culture. It explores the work of modern designers and features practical design advice.
654544
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Manuscripts
Primarily business correspondence for Chinese Garden restaurant. Also includes a hand drawn map of the dining room and some bank books.
mssLeong
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Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
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Visual Materials
View of the two-story residence and garden of John T. Garden in Hollywood, California. Handwritten note on recto states: "Planted House ranch 1874 / House built in 1875 / John T. Gower and four boys went up from Hollywood with their thresher outfit and threshed the first crop in 1875? Gower was foreman of the ranch at the time this photo was taken 1880."
photPF 24901
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Manuscripts
This collection consists of two series: the Grace Nicholson papers (2,926 items) and addenda (1,444 items). The papers consist primarily of correspondence, while the addenda is primarily notes. Both relate to Grace Nicholson and her work in the fields of Native American and Asian art. There are many letters from Native Americans to Nicholson and extensive diaries and notes that Nicholson kept on her buying trips through Native American territory, especially of the Karok, Klamath, and Pomo Indians. Subject matter includes Native American legends, folklore, vocabulary, tribal festivals, basket making, business in art trade, and living conditions. There is also a considerable amount of correspondence from China, Japan, and Korea between Nicholson and her buyers. Among the subjects covered are Chinese art and architecture, Japanese art, Korean art, Javanese textiles, Siamese art, Philippine art, life and social conditions in Asia, and the business of trading Asian art. Being a well-known dealer in Native American and Asian art, Nicholson was in contact with many artists, such as Frederick Arthur Bridgman, W. Herbert Dunton, Sadakichi Hartmann, Elizabeth Conrad Hickox, Louise Merrill Hickox, Grace Carpenter Hudson, George Wharton James, Lilian Miller, Hovsep T. Pushman, Joseph Henry Sharp, and Millard Sheets. Nicholson also purchased materials for institutions such as the Field Museum of Natural History, the Honolulu Academy of Arts, the Los Angeles Museum of History, Science, and Art, the Pasadena Art Museum, and the Southwest Museum in Los Angeles, California. Her intimate relationships with Native Americans give particular insight into their lives and culture. Historians and academics sought her out, including Alfred Lewis Kroeber, Charles Fletcher Lummis, and Clinton Hart Merriam. Nicholson also received letters from political figures such as Frederick Webb Hodge, Herbert Hoover, Hiram Johnson, and Franklin D. Roosevelt.
mssNicholsog
photCL 624