Rare Books
Chinese women, yesterday & to-day
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Group of Chinese children outside with two women
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
photCL 624
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The rape of Nanking : the forgotten holocaust of World War II
Rare Books
Details the massacre that took place in December 1937 when the Japanese army overthrew the ancient city of Nanking, China, and raped, tortured, and murdered over 300,000 civilians; examining the atrocity from the perspective of the Japanese soldiers, the Chinese civilians, and the Europeans and Americans who created a safety zone for survivors.
655283
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China caravans : an American adventurer in Old China ; including an exploration of the Royal Tombs of Xian and the ill-fated restoration of the last Manchu Emperor to the Dragon Throne
Rare Books
An engrossing account of China just before the Bamboo Curtain came down, concealing China from Western eyes for a generation. This is the true story of Fred Schroder, American trouble-shooter and camel caravanner whose harrowing travels through Mongolia, Siberia, Tibet and China's Far West, make for rich history and high adventure. He has a shoot-out with a nomad chieftain, encounters living gods, gets involved in two revolutions and one coup d'etat, and explores the astounding Royal Tombs at Xian-- now called the greatest archaeological discovery of our time. Easton writes in the first person, to capture the voice and idiom of the indomitable Schroder -- Back cover.
636009
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Portrait of a Chinese man captioned "Chinese Festival. Yee Photo, L.A."
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
photCL 624
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Under which king, Bezonian?: short story
Manuscripts
In this short story, Snow writes about a law student at Cambridge, named "Eliot," who is asked by a Professor Gay to help bring suit against the University of Cambridge. The short story is typewritten and signed by C. P. Snow.
mssHM 76724
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Chinese architecture, unidentified location
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
photCL 624