Rare Books
I used to be charming : the rest of Eve Babitz
Image not available
You might also be interested in
Image not available
Eve Babitz papers
Manuscripts
Materials documenting the life and career of writer and artist Eve Babitz. Writings includes drafts and galleys of her books Slow Days, Fast Company (1977), Sex and Rage: Advice to Young Ladies Eager for a Good Time (1979), L.A. Woman (1982), Black Swans (1993), and Two By Two: Tango, Two-Step, and the L.A. Night (1999); as well as articles and stories; screenplays; unpublished manuscripts; and collected clippings and publications. The Personal series includes incoming and outgoing correspondence with friends, family, and publishing contacts; biographical and family items; and Babitz's notebooks and datebooks. Photographs are of Babitz, her friends and family, and the Los Angeles area, including hundreds she took with a Brownie camera documenting her friends and social sphere from 1968 to 1971. Artwork primarily consists of collages Babitz made between 1967 and1970, some commissioned for publication or album artwork. Collage subjects include musician friends and acquaintances including Jim Morrison, Mick Jagger, Stephen Stills, Ginger Baker, and Noel Harrison; commissioned work featuring Marilyn Monroe and Liza Minnelli; and pastoral and abstract scenes. There are also drawings and paintings dating from the early to mid-1960s.
mssBabitz
Image not available
Eve Babitz, family, and art
Manuscripts
Photographs of Eve Babitz from childhood through the 2000s, her family, and artwork. Artwork photographs include several prints of a Brian Jones collage, and a series of slides taken by Paul Ruscha.
mssBabitz
Image not available
Eve Babitz collage reproductions
Visual Materials
This collection contains four poster reproductions of Eve Babitz collages, created and gifted to artist Ed Ruscha by Babitz. The posters depict musicians George Harrison and the individual members of the band Cream, including Eric Clapton, Jack Bruce, and Ginger Baker.
priBabitz
Image not available
Eve Babitz collage reproductions
Visual Materials
This collection contains four poster reproductions of Eve Babitz collages, created and gifted to artist Ed Ruscha by Babitz. The posters depict musicians George Harrison and the individual members of the band Cream, including Eric Clapton, Jack Bruce, and Ginger Baker.
priBabitz
Image not available
Eve's Hollywood
Rare Books
"Journalist, party girl, bookworm, muse, artist: by the time she'd hit thirty, Eve Babitz had been all of these things. Immortalized as the nude beauty facing Duchamp over a chessboard and as one of Ed Ruscha's Five 1965 Girlfriends, it turns out that Babitz was a writer with stories of her own. In Eve's Hollywood she gives us indelible snapshots of southern California's haute bohemians, of surpassingly lovely high school ingenues ("people with brains went to New York and people with faces came West") and enviably tattooed Chicanas, of burnt-out rock stars in the Chateau Marmont. In her deceptively conversational prose, we are brought along on a ride through an LA of perpetual delight: to a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a rollerskating hooker, through the Watts Towers, and shopping at Central Market. This "daughter of the wasteland" is here to show us that her city is no wasteland at all, but a glowing landscape, swaying with fruit trees and bougainvillea, buffeted by earthquakes and Santa Ana winds. By the end, there is little doubt that Babitz herself is proof there's more to Hollywood than meets the eye"--
653834
Image not available
Slow days, fast company : the world, the flesh, and L.A
Rare Books
"There was a time when no one burned hotter than Eve Babitz. Possessing skin that radiated "its own kind of moral laws," spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and '70s. But there was one man who proved elusive, and so Babitz did what she did best, she wrote him a book. She also pulled off a remarkable sleight of hand: Slow Days, Fast Company far exceeds its mash-note premise. It is a full-fledged and full-bodied evocation of a bygone Southern California. In ten sun-baked, Santa Ana wind-swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success; socialites on three-day drug binges, evading their East Coast banking husbands; soap-opera actors worried that tomorrow's script will kill them off; Italian femme fatales even more fatal than she is. And she even leaves L.A. sometimes, spending an afternoon at the house of flawless Orange County suburbanites, a day among the grape pickers of the Central Valley, a weekend in Palm Springs where her dreams of romance fizzle and her only solace is Virginia Woolf. In the end it doesn't matter if Babitz ever gets the guy--she seduces us"--
653857