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Aby Warburg : Bilderatlas Mnemosyne : the original
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Epistolae principum, rerumpublicarum, ac sapientum virorum. : Ex antiquis & recentioribus, tàm Graecis, quàm Latinis historijs & annalibus collectae. Opus ad rerum cognitionem, & ad prudentiam comparandam apprime vtile, aphphtegmatum & grauium responsorum innumeram & auream copiam continens. Nunquam antea editum
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First edition of a collection of letters of princes and other learned men from antiquity which are compared with those of the Renaissance and the author's own time. The anthology was edited by Girolamo Donzellini, a physician in Brescia and Venice.
374967
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Virginiae partis australis ; et Floridae partis orientalis ; interjacentiumque regionum nova descriptio
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Kashnor dates ca. 1630. Cumming dates 1638. A comparison with van der Krogt and Burden shows that the author is Jansson, not Blaeu, and was published in an edition of his Novus atlas between 1630 and 1675. Cartouche: Indian figures. Prime meridian: Ferro. Relief: pictorial. Graphic Scale: Milliaria? Projection: Cylindrical. Printing Process: Copper engraving. References: Burden 254; Cumming 42; Van der Krogt, map 9400:1B Verso Text: MS note: 595.
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Entwicklung der seeschiffahrt
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Seven Hamburg America vessels are portrayed on the poster: Deutschland, 1848, the first vessel, sail; Hammonia, 1883, steam; Borussia, 1885, steam; Fürst Bismarck, 1892, steam; Deutschland, 1900, steam; President Lincoln, 1907, steam; and Hamburg, 1926, steam. Title Entwicklung der seeschiffahrt is in black letter ; title translates to Developement of ocean navigation. "Hamburg-Amerika Linie, Hamburg"--text at bottom of poster in blackletter. "Hans Bohrdt"--artist's signature reproduced, lower left corner. "Offsetdruck Mühlmeister & Johler, Hamburg, Dep. 4021"--text, printed small type, lower left corner, below artist's signature.
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Flora
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"In Neeta Madahar's new series of allegorical portraits 'Flora,' the traditional procedure of personification is reversed: here, actual women appropriate imagery stretching back to antiquity to fashion and empowering public persona. A favourite subject of Renaissance and Baroque painters, Flora was traditionally depicted as a young woman surrounded by reveling devotees bearing floral tributes. Madahar, however, presents us with a different Flora. Her immediate inspiration was not Botticelli but the stylized portrait photography of the 1930s-50s including that of Cecil Beaton, Angus McBean and Madam Yevonde. These are images of real women whose bodies and comportment exemplify a willful sense of self-possession won through lived experience"--Publisher's description.
653251

Südliches Wolta-Gebiet auf der Goldküste von West-Afrika nach den Angaben der Missionaire Locher & Plessing
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Kirkpatrick Catalogue entry: "2440 Gross, R. Südliches Wolta-Gebiet auf der Goldküste von West-Afrika, nach den Angaben der Missionare Locher & Plessing. [n.p.], Rudolf Gross, [after 1855]. 1 sheet. [see p.]."This is the south coast of present day Ghana.Possibly removed from Joseph Josenhans' Atlas der Evangelischen Missions-Gesellschaft zu Basel. Probably acquired while Burton was British consul at Fernando Po, from 1861 to 1864. Stamp: Hensington Public Libraries. Prime meridian: GM. Relief: shaded. Graphic Scale: Miles. Projection: Cylindrical. Printing Process: Lithography.
623614
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Metropolitan Museum of Art Bulletin,[Spring, 1987]
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Standen, Edith Appleton, "Renaissance to Modern Tapestries in the Metropolitan Museum of Art"
633396