Big ten co-eds, preppy girls, and the lost cheerleaders | Collections | The Huntington

Big ten co-eds, preppy girls, and the lost cheerleaders | Collections | The Huntington

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This is a multi-image negative that depicts local offices, EDS crews, and appliance sales
Visual Materials
This is a multi-image negative that depicts local offices, EDS crews, and appliance sales. Undamaged images included on the plate are copies of original negatives: 02 - 00359; 02 - 00360; 02 - 00361; 02 - 00362; 02 - 00363; 02 - 00364; 02 - 00365; 02 - 00366; 02 - 00367; 02 - 00368; 02 - 00369, 02 - 00370, & 02 - 00373. Frames 02 - 00371 & 02 - 00372 have severe water damage and are unusable.
photCL SCE 02 - 47025
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Co-Eds
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
This is a multi-image negative that depicts accidents, substations, Pomona EDS Gang, & temporary Pasadena Office. Undamaged images included on the plate are copies of original negatives: 02 - 01440; 02
Visual Materials
This is a multi-image negative that depicts accidents, substations, Pomona EDS Gang, & temporary Pasadena Office. Undamaged images included on the plate are copies of original negatives: 02 - 01440; 02 - 01441; 02 - 01442; 02 - 01444; 02 - 01445; 02 - 01446; 02 - 01449; & 02 - 01450. Frames: 02 - 01443; 02 - 01447; 02 - 01448; 02 - 01451; & 02 - 01452 have severe water damage and are unusable.
photCL SCE 02 - 47097
Image not available
Dragons on guard : an imaginative interpretation of old China in stories of art and history with a forward look
Rare Books
Ten stories of the ten greatest Chinese dynasties from the beginning of the Chou in 1100 B.C. Each story has a short historical introduction that parallels Chinese history with what was going on in the Western world.
655137
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Co-Ed Brand
Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
ephCL Ca_11
Image not available
Co-Ed Brand
Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
ephCL Ca_12