Rare Books
Half awake and half asleep in the water
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The waves at play on the Malibu
Visual Materials
View of the beach and coastline where Malibu, California, meets the Pacific Ocean. The pointed rock formation at center, in the distance, appears to be Castle Rock, a landmark that stood near Topanga Canyon.
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Angels Flight from atop 3rd Street and Olive Street
Visual Materials
Angels Flight cars, Olivet and Sinai, in operation on its trestle and tracks. Buildings once stood on the vacant lots alongside the funicular railway.
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Treasure Chest Brand
Visual Materials
Image of a female pirate holding an orange and shovel, and standing next to a treasure chest filled with oranges; ocean in background; wrapped Sunkist orange logo at lower left.
ephJLC_CIT_000771
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Water - Los Angeles Aqueduct - Clippings
Manuscripts
50+ items: material from across several decades, from LAT, memos, letters and two issues of Heritage (a publication of Southern California Library for Social Studies & Research) from 1991 and 1992, on the aqueduct from the Owens Valley along the eastern slope of the Sierra Nevada to Los Angeles/San Fernando Valley. Includes some material on the film Chinatown, starring Jack Nicholson, the plot of which owed a great deal to actual events between 1905 and the 1920s. Some persons in The Times hierarchy stood to profit from the water plan and the newspaper pushed it strongly.
mssLAT
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Thirst : Great Salt Lake
Rare Books
Great Salt Lake is the first in a series of publications by Fazal Sheikh examining the effects of climate change and extraction in the western United States. It charts the destruction of the lake by industrialization and its pollution by chemical waste; the loss of natural wildlife habitats, the siphoning off of rivers that feed it, and the toll taken by rising temperatures and long periods of drought, all of which have brought the lake to crisis point. Sheikh reveals the condition of the lake in visceral images that provide a record of Great Salt Lake at its lowest ebb.
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Half circular bridge over water, with boat underneath
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
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