The studio of Man Ray | Collections | The Huntington

The studio of Man Ray | Collections | The Huntington

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Unidentified man
Manuscripts
A bust-length studio portrait of an unidentified young man turned slightly to the left. He is wearing a suit and tie, and is clean-shaven. "R.B. Lewis, Photographer, Hudson, Mass. ; Additional copies from the plate from which this picture was taken can be had if desired." is printed in black on the verso.
HM 77754
Image not available
Joseph E. Ray recollections on friends and Fillmore
Manuscripts
Reminiscences, written in prose form, of Joseph E. Ray's life in Fillmore, Utah, covering the years from approximately 1852 to the 1880s. Ray writes of his childhood rapport with local Pahvant Ute Indians due to his father's work as an Indian agent, but also of his essential distrust of Indians following the John W. Gunnison massacre. He writes of childhood experiences with family and in school, of the kidnapping of James Ivie by Pahvant Indians (what Ray calls "the last of the Black Hawk raids"), his assistance to Reuben McBride in rescuing women kidnapped from a wagon train by Snake Indians (one of these women was Marguerite Taylor, of whom Ray writes "here was my destiny, heaven or hell!"), and his search for a silver mine in the Snake Valley in 1868. Ray also writes of his experiences tracking outlaws, including Ben Trasker at Deseret Springs and the capture of the Ney Gang. He writes extensively of an 1871 trip to Texas with Gilbert Webb to buy cattle. During this trip, Ray saw Brigham Young in Salt Lake City; met Wild Bill Hickock in Abelene, Kansas; participated in a three-day poker game; observed a buffalo herd (by which he was "absorbed, enraptured, amazed"); and drove cattle across the Platte River. Ray also includes a brief history of the families of Thomas King (the first settler of Fillmore), Orange Warner (Ray's father-in-law), Chandler Holbrook, Reuben McBride, John Kelly, Joseph Robison, Daniel Olson, Gabriel Huntsman, Christian Anderson, Amasa Lyman, Alexander Melville, and Alma and Sam Greenwood. Includes a brief account called "Coming to Fillmore by Reuben's Cave," in which Ray gives a condensed version of his autobiography in dialog form (it also mentions his work on the Studio Ranch). Also included are typescripts of 4 letters written between Ray and Marguerite Taylor during his trip to Texas and Miscellaneous Notes on Ray's life by one of his grandsons.
mssHM 72837
Studio portrait of Edwin Powell Hubble as a young man
Manuscripts
Studio Portrait of Edwin Powell Hubble as a young man, seated in chair. Note on verso in the hand of Grace (Burke) Hubble: "Early picture of Edwin Hubble. Exact date uncertain. Probably Univ. of Chicago, undergraduate at 17 or 18 years of age."
mssHUB 1033 (1)
Image not available
Portrait of a Chinese man standing in front of a studio backdrop
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
Unidentified man (Levi S. Graybill?)
Manuscripts
A bust-length studio portrait of an unidentified man, possibly Levi Graybill (see HM 77704 for an image of Graybill in military uniform), turned slightly to the left. The man has a neatly trimmed mustache and short but bushy mutton chops. He is wearing a suit with a small bowtie. "F. Gutekunst ; No. 704 & 706 Arch St. ; Philadelphia" and an armorial crest are printed on verso. There is a green and white three cent stamp with a portrait of George Washington attached to the verso.
HM 77756
Image not available
My own experience with the Vasques Bandits
Manuscripts
This manuscript is Snyder's account of his experiences in the mercantile business in Monterey County, California beginning in 1872. He ran a "branch store" and a "hotell." At length and in detail, Snyder describes an incident where his store was robbed by armed "Spanyards," the leader of whom he names as "Vasques." The bandits shot and killed a partially deaf man when he did not heed their demands for him to submit, and shot a second man hiding in a nearby barn. After killing a third man, Vasques declares that "he had only one way to make a living and that was by robbing, and as long as other people had any money he intended to have his Share of it if he had to kill a man to gett it." The bandits did not kill Snyder because he "submitted." The bandits stole eleven horses, including one that had been a present to Mrs. Snyder, loaded them with the stolen goods, and rode away. Snyder called the aftermath "a Mournfull looking Site." He reports that Vasques was eventually captured in San Jose and hanged. With typewritten card containing a brief biography of Snyder.
mssHM 16695