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The lady of the decoration
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Photograph albums and travel diary of the Philippines by sailor aboard the USS Pocomoke (AV-9)
Visual Materials
Two photograph albums, one containing a 60-page travel diary, by U.S. Navy crew member W. A. (William Arthur) Isaminger, documenting his experiences in the Philippines during and after World War II. His travel log titled "Navy Life" begins in March 1944 when he joined the navy, then describes his time stationed in the Philippines through February 1946, when he returns home to Seattle, Washington. He was aboard the USS Pocomoke (AV-9), an aircraft carrier that operated primarily in the Pacific theatre during the war and serviced military seaplanes. Along with the diary are handwritten entries on mileage between various locations on his travels from Seattle to the Philippines and back, addresses of acquaintances and family, and a few pieces of ephemera. There are 173 photographs in the two albums, all with handwritten captions. The images include sailors and local residents, village scenes, churches and civic buildings, the statue of Philippine national hero Jose Rizal, a sunken Japanese ship in Manila harbor, and a Japanese internment camp and prisoners. There are also several images of partially nude native women and children, two scenes of cockfighting, a man with elephantitus, and a man holding the decapitated head of a Japanese man. The album also features images of activities on board the ship, various seaplanes, and a series of photographs documenting examples of "nose art": female pinups painted on airplane fuselage. Also includes a printed menu in honor of Victory Day, dated August 15, 1945. Locations include Zamboanga, Mindanao, Luzon, Puerto Princesa, Calicoan Island, Samar Island, Taclogan, and Tawitawi Island.
photCL 677
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Go
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The generation gap in the Japanese-American community is the subject of this novel. The protagonist is Wil, a 20-year-old woman suffering from depression due to a broken love affair and an abortion. As she wallows in her depression, Wil reflects that her problem, diagnosed by doctors in California as bi-polar disorder, would in the days of her grandparents have been called weakness of character.
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The excursion
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Written for the very audience it portrays, this novel introduces the heroine, Maria Villiers, to London's "gentle" society and its glittering pastimes. Brooke drew upon the English courtship novel in the tradition of Eliza Haywood, Henry Fielding, and Frances Burney for her novel's overarching plot structure. But instead of concentrating on Maria's romantic adventures, she experiments with unusual treatments of subplots and unconventional characters. The most interesting aspect of her story is the development of Maria's ambition to win fame and fortune as a writer; it is one of the few portraits of a woman with literary ambitions by an early woman writer. Brooke's wry narrative voice foreshadows that of Jane Austen. The second volume in the series Eighteenth-Century Novels by Women, The Excursion contributes to our understanding of the development of the novel and offers a lively view of women's position in eighteenth-century English society. The editors' introduction places The Excursion firmly in the tradition of the English novel, provides a fresh biography of Brooke, and brings together the most important eighteenth- and twentieth-century criticism of Brooke's work.
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Builder, Decorator, Woodworker
Visual Materials
The Greene and Greene Collection contains a wide variety of materials, from Greene and Greene ancestor, architect/engineer James Sumner's "Memo of the Timber wanted for the Steeple in Providence," dated 1775, and a diary of a European grand tour from 1829 to 1931 by an English ancestor of Charles Greene's wife, Alice, to drawings and photographs of Greene and Greene works from the time of construction through the close of the 20th century. The bulk of the collection dates from 1889 to 1975. Photographs comprise most of the records documenting their architecture. There is a small number of architectural drawings; most of the firm's drawings are housed at the Avery Architectural and Fine Arts Library at Columbia University, New York City, with a smaller collection of drawings from the estate of Charles Greene at the Environmental Design Archives, University of California, Berkeley. The collection is organized into four series: I. Personal papers, II. Office records, III. Job (project) records (including furniture), and IV. Related research materials. In general, the papers and records of both brothers have been kept together for the periods in which they were living together as students and young men, and for the period when they were partners in the firm of Greene and Greene. Within each series, the organization follows the separate lives and works of each brother from the dates at which they diverge. Although the collection has been assembled from many different sources, most items have a unique accession number identifying the donor, so that the researcher can easily identify the source of most documents.
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