Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
ephCL T_49
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Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett
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Visual Materials
A collection of approximately 1,500 photographs and various ephemera and publications of California missions, collected by Southern California educator Connie Rothstein, with an emphasis on the San Gabriel Mission, the history of the city of San Gabriel, and the production of "The Mission Play" by John Steven McGroarty. The collection also includes late-19th and early-20th century photographs of Los Angeles and Southern California, and postcards and ephemera related to the Southern California region. Notable in the collection are 391 stereographs of missions and Los Angeles, including some by photographers William Godfrey and H. T. Payne, A. C. Varela, and Carleton Watkins. All of the California Missions are represented in the collection, plus the "sub-missions" or Asistencias of California. The mission photographs include many unusual views and details, and are a mixture of snapshots made by tourists and commercial photographs. There are many views in and around Southern California, most dating from 1880s-1920s, by various photographers. Specific topics emphasized in and around Los Angeles are: Olvera Street, Chinatown, La Fiesta de Los Angeles celebration; and the Mount Lowe Railway. There are many cabinet cards and stereographs, and six large panoramic photographs of the Los Angeles area. The ephemera include hundreds of postcards and photographic postcards, scrapbooks, and many small publications on the history of the missions and California, as well as ephemera related to "The Mission Play." Other topics in the collection are: photographs and ephemera of Monterey, California; Oregon and the Columbia River Highway; and a group of photographs of cowboys and Western culture (mid-20th century).
photCL 496
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Visual Materials
The collection consists of 6202 black-and-white and color photographs, pen and ink drawings, and postcards, 1412 black-and-white and color negatives, 2606 black-and-white and color slides, and ephemeral materials, 1898-1982 (bulk 1920s-1930s) collected by the Automobile Club of Southern California. They form a general photographic reference collection as well as a broad visual survey of topics of interest to California motorists. Included are images of sites in North and Central America (with an emphasis on California), Europe, the Pacific Islands, and portraits, as well as images related to other subjects of interest to the Club's membership. Many of the images were published as illustrations for articles in the Club's first member magazine, Touring Topics. A large portion of the photographs were taken by authors of articles that appeared in Touring Topics; others were commissioned by the Club; and others appear to have been sent to the Club. Photographers (and authors) include, but are not limited to, Ansel Adams, Fred Archer, Viroque Baker, George Hugh Banning, Adelbert Bartlett, Virginia S. Bartlett, Andrew R. Boone, Julius Cindrich, Norman Clyde, Will Connell, Loyd Cooper, Imogen Cunningham, Asahel Curtis, Edward Sheriff Curtis, Fred Dapprich, E.H. Davis, E.E. East, John Anson Ford, Frasher, Ewing Galloway, Forman G. Hanna, Phil Townsend Hanna, Hoag and Ford, John Edwin Hoag, Bert W. Huntoon, Philip Johnston, Dr. Frederick Monsen, Dave Packwood, C.C. Pierce, Ernest M. Pratt, Putnam Studios, E. Willard Spurr, and John L. Von Blon.
photCL 375
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Manuscripts
Pacific Electric Railway film made 1913-1914 to instruct trainmen in operating interurban trains. Opening titles read: "The right and wrong procedures are illustrated throughout." Shows an automobile coming to a train crossing, with a train coming, and the "automatic flagman" is not working; trainmen filling out train orders; train approaching a man walking on trestle; people getting on and off train. Shows train at the San Gabriel River; the Glendale line train going down the tracks, other footage. Format of original: Reel
SCE MP 074
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Manuscripts
This collection contains the records of the Pasadena Playhouse, a community theater established in Pasadena, California, in 1917. Materials consist primarily of theater programs, scrapbooks, business records, correspondence, clippings, scripts, school catalogues, brochures and ephemera, indexes, photographs, original drawings of set and costume designs, and research materials originally housed in the organization's library. The materials document the performance history of the various theaters of the Playhouse and also contain partial administrative records and school records, with particular strength in coverage for the "Mainstage" theater and an extensive run of programs and performance photographs. The core records are strengthened by the complementary personal paper collections of directors, performers, and others associated with the Playhouse.
mssPlayhouse