Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Materials related to Dana Gioia's work as a poet, essayist, and editor as well as his roles as Chairman of the National Endowment for the Arts (NEA) and Poet Laureate of California. The Writings series is divided into Poetry, Other Writings, and Publications, and includes drafts, galleys, published versions, and reprints of Gioia's poems, essays, and other writings, as well as notes, correspondence, reviews, and other related documents. The Professional series includes materials related to Gioia's work with the NEA, including documentation of his NEA nomination and confirmation; his congressional testimony; reports; publicity; and working documents and correspondence related to NEA programs such as The Big Read, Poetry Out Loud, NEA Jazz Masters, and others. There is also correspondence, press coverage, a scrapbook, and other documentation of Gioia's tenure as California Poet Laureate; and materials related to his 2007 Stanford University commencement address, including drafts of the speech, responses, and reprints. The Correspondence series is comprised primarily of Gioia's letter and email correspondence with other poets, publishers, and scholars, and also includes some biographical and other material related to each correspondent. The Broadsides and posters series includes poetry broadsides authored by Dana Gioia and others, and a few posters related to Gioia's poetry.
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Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
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